Twice a week, huh? Is this stuff you're inventing specifically for the Wire, or is it existing material you'd already developed? This is an important question because context is everything here.
Steerpike has a point here. . . I'll take it further (of course). . . Why are you pooping out so much?
The key to being a great showman is leaving your audience wanting MORE. . . show me where you're doing that?
Yes, your fellows that are buying all this stuff are your audience and just like the School Campus slut that gave her tricks away for free or cheap, you'll ultimately find yourself loosing respect and facing frustration if you don't learn to hold back.
One contribution a month is "normal" per source you are working with. Back in that era in which one had to have a printer and production team to put out a "Magazine" all anyone could do was put out one new piece each month, max! Not due to a lack of creativity but because
a.) that's all the distribution the zine knew;
b.) people actually had a life back then that not only went way beyond the auspices of magic, but the need to be "in the loop" on things constantly. and
c.) the old timers understood that "Less is More"
If you give people a tease here and there; just a new thing to play with and talk about a few times a year, you will get a much stronger reaction over time. When you're eager, greedy and being driven by ego you will burn yourself out and in the process, burn out your readers and fans. Learn to pace yourself!
Ok. . . I know that I seem to have my fingers in a dozen piles but that's just because I have the time to touch base with four or so major forums each day and I contribute to a couple of different publications including
VANISH. Thing is, I've been around the block a few times and so it's kind of "normal", not so for someone new to it all. So take your time, let your concepts sink it, WAIT -- see which effects get the stronger response and then look at ways of improving on that one effect.
Some years ago this kid from the UK showed me some notes he had on a routine in which he accurately reads the mind of two gents that are standing on either side of him and told to sit down if he was correct. . . which they did. . . since then Luke Jermay has expanded on his TOUCHING ON HOY routine and presentation because of consumer interest and the realization that he had a major reputation building effect on the market; Michael Ammar did the same thing back in the 80s when it came to the Topit device and his uncanny skill working with it.
You're in that position right now; pause and allow things to simmer a bit so you can see what your next step should be. If you don't learn to do this you'll miss out on loads of things, including Life Itself. . .