Well, I haven't learnt the Cardini colour change yet, but I would love to do so if itnis really great and lends itself to a practical close-up magic situation.
Mark the previous 5 words.
Because I don't really wanna learn something to amaze a camera.
So my question is, is the cardini change as great as it looks on videos for real eyes?
Of course, I mean after the practice the move requires and deserves, will it be possible to perform it in a close-up performance?
Also, will it be too angly? I don't mind angle-sensitive stuff, but it should be more practical than angle-sensitive.
Like, you know, the classic pass. It needs to be performed at a certain angle for it to pass unnoticed even when people are burning your hands down. However, one can easily accomodate 7-8 people in that 'perfect angle' for the classic pass to go unnoticed.
So even if the cardini is angly, it should be possible to have quite a few people in the area from where Cardini looks amazing. It should not be like the move looks great from my view-point only.
So...
Does the cardini lend itself to those conditions and I can rest assured and learn this colour change as it looks AMAZING on camera.
Or is it not actually meant for real eyes?
And even if it is meant for real eyes, how angly is it?
Thank you!
Mark the previous 5 words.
Because I don't really wanna learn something to amaze a camera.
So my question is, is the cardini change as great as it looks on videos for real eyes?
Of course, I mean after the practice the move requires and deserves, will it be possible to perform it in a close-up performance?
Also, will it be too angly? I don't mind angle-sensitive stuff, but it should be more practical than angle-sensitive.
Like, you know, the classic pass. It needs to be performed at a certain angle for it to pass unnoticed even when people are burning your hands down. However, one can easily accomodate 7-8 people in that 'perfect angle' for the classic pass to go unnoticed.
So even if the cardini is angly, it should be possible to have quite a few people in the area from where Cardini looks amazing. It should not be like the move looks great from my view-point only.
So...
Does the cardini lend itself to those conditions and I can rest assured and learn this colour change as it looks AMAZING on camera.
Or is it not actually meant for real eyes?
And even if it is meant for real eyes, how angly is it?
Thank you!