In honor of Ricky Jay, I made my wife watch the documentary about him that was released a few years back: Deceptive Practice. From a filmmaking perspective, it's an incredibly well-done documentary that succeeds better than most at making its subject (Ricky Jay and the world of conjuring) universally accessible and interesting. From a magic standpoint it’s such a treat to get an inside look at someone, probably one of the last living people, who studied under the greats like Vernon and Miller. Ricky Jay was such a treasure trove of knowledge and certainly a generational bridge to the golden age of sleight of hand. If you haven’t already, you should definitely check it out. I bought it on iTunes, but you can rent it there and other places. Here are a few thoughts I had while watching:
Community. It’s funny because in the information age we’re “more connected” than ever. But in reality I find the opposite to be true. Sure, we can now connect to people all around the world, but I personally find myself less connected in meaningful ways than it seems people were before the internet. It seems like the newest generations in magic are being raised in isolation, learning from downloads, dvds, and books. It’s very difficult in todays world to build a real community around magic. I was actually just listening to Derek Del Gaudio’s episode on Magical Thinking, and he echoes the same thoughts. And because we’re all working in isolation, it’s very hard to progress and move forward, not just personally but as an art form.
Secrecy. Ricky Jay probably hated everything about the YouTube magic generation. He played stuff so close to his chest that Michael Weber, who worked with him for 30 years, didn’t know all of Ricky’s secrets. He wanted people to earn it. But then again, that goes back to the community issue. If you don’t have people you grow to know, then there’s no chance to earn anything.
History. Jay mentioned that he started looking through really old conjuring texts looking for material that he could make new again. I love this idea, and I wish I had the skills to pull it off. Maybe one day.
Community. It’s funny because in the information age we’re “more connected” than ever. But in reality I find the opposite to be true. Sure, we can now connect to people all around the world, but I personally find myself less connected in meaningful ways than it seems people were before the internet. It seems like the newest generations in magic are being raised in isolation, learning from downloads, dvds, and books. It’s very difficult in todays world to build a real community around magic. I was actually just listening to Derek Del Gaudio’s episode on Magical Thinking, and he echoes the same thoughts. And because we’re all working in isolation, it’s very hard to progress and move forward, not just personally but as an art form.
Secrecy. Ricky Jay probably hated everything about the YouTube magic generation. He played stuff so close to his chest that Michael Weber, who worked with him for 30 years, didn’t know all of Ricky’s secrets. He wanted people to earn it. But then again, that goes back to the community issue. If you don’t have people you grow to know, then there’s no chance to earn anything.
History. Jay mentioned that he started looking through really old conjuring texts looking for material that he could make new again. I love this idea, and I wish I had the skills to pull it off. Maybe one day.