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I think, you should definitely take a few steps back. What attracted you to magic in the first place? Like, at the very beginning? The 'woah's a boy from your class got for performing? The applause a stage-magician you saw got? The mystic of a fortune-telling lady? The attention YOU got after...

I guess I will take the suggestion and post every problem I encounter with the pass here (seriously speaking here), so get ready! Lol, srsly tho thank you for helping. So I should just keep trying to get used to the motion and not cram my head with any concerns about covering it NOW right...

Okay, so here goes:- I know it sounds stupid, but how long does it take to have a pass satisfactory enough to use in a performance? I know a pass is an ever improving technique, and we all should forever strive for the better, but still, how long should I logically take before I build enough...

Thank you all again!

Am afraid my pinky break, which everywhere I saw and everybody I listened to said is okay to be pretty large at the beginning, is too large. The break is visible from the left side. Am I being too ambitious in focussing on these things now? Should I just focus on getting the actual motion smooth...

I guess I should just have specified, I meant the left first finger...my bad Lol, sorry for the confusion and thank you for the help

I appreciate the help!

thanx!

All the tricks can be equally powerful, sure. But the thing I am trying to highlight is that they cannot be in a descending order of impacts, know what I ,mean? :-)

Cool thing to incorporate everything in one video. Would sure help learners. I personally had to move through a host of videos, lol. But discovered some great you tube channels doing so, so no complaints! :-)

Dunno if you guys remember my previous question on classic pass, but I finally became real serious at it. So do expect shjort questions on it periodically and do not hate me for it :-) :-) :-) Here's the thing, does it help make the move more invisible and look natural if the index is at the...

So... 1) I am biased towards shorter more impactful routines, but essentially it must go according to WHERE you are performing. A fairly quick routine for those standing in a queue or waiting for a train please. An elaborate routine for an amazing stage show where you are the star! A...

Btw...am talking about a few aerials in general... 1) Airbender by Chris Ramsay ( mainly...because it was knacky enough mastering the throw and then I find I cannot catch it) 2) Hot shot 3) The one where the deck is held horizontally and thumb tosses a card out. 4) Boomerang 5) Amazing jumping...

Am guessing the only remedy is to continue practising and obviously follow the interesting suggestions of ur guys...throwing in the same trajectory. BTW...my main problem most of the times is the card bouncing off my fingers. And then am like UGH!!! But thank you!

THE LORD RETURNS!!! and is pretty happy... Thanx!

it is fine bruh! :-) different people different views right? :-)

yup...saw that vid

Do not use a new deck. Believe me and keep a slightly used cool looking broken in deck for your higher level cardistry stuff. Somethings just cannot be done with brand new decks. Like you just cannot thumb fan a SERIOUS poop deck.

I did that and maybe it helped...maybe didn't. cool idea nevertheless, but is you go on to the higher cardistry, pretty much worthless.

So, it is one of the flashiest things to toss a card into the air and then catching it. Some go the extra way and can catch it with their mouth...behind the back etc. But here I am, who knows like a dozen ways to toss the card and I have practised them A LOT but I just cannot CATCH THE CARDS...