Seriously though, do yourself a favor and get Collected Fictions by Jorge Luis Borges. Owns Lovecrap any day. Latin American surrealism is so much better.
Well, we got done in the recording studio yesterday morning at about four recording original music. My friend did one more piece for me in logic pro, and I finished it all off with a piece of royalty free music. Submitted it a few hours ago. Just crossing my fingers. We all worked for like...
1. What was the moment when you conceived Theory 11? When did it happen for you? What generated the idea?
2. What do you see as the pros and cons of the commercialization of magic?
3. You have your own stage show, but you run a company that specializes in closeup magic. Why is it...
Well, I'm basically done. Got all my editing down, my friend wrote me some kickass music and it's looking not too shabby, if I do say so myself.
But actually, does anyone know how to use Soundtrack Pro? I would really like to kill some background noise...
Question: Let's say that my hypothetical move that I would hypothetically submit has some hypothetical applications to a few tricks...
In that very hypothetical and not necessarily actual case, would it be alright to demonstrate the use of the move in the trick, even if it might give a clue...
No prob:
Thoughts on Zarrow: A Lifetime of Magic by David Ben: http://forums.theory11.com/showthread.php?t=15311
Thoughts on Collateral by DM: http://forums.theory11.com/showthread.php?t=12383
Thoughts on Impossible Card Magic by Ray Kosby...
Just a little tip for anyone who cares, if you go on itunes and type in "royalty free music," you will come across an album entitled "royalty free music..."
Stuff's not too bad. Check it out.
Question: If we choose not to add music because we (and I mean the royal "we," referring, of course, to me) can't compose worth s***, will other music ultimately be added to the final product?
Also, who will be seeing these tutorials?