Search results

Read the mechanics in Erdnase again that should help. Can you tell me a little more about your problem, you can PM if you want. YOu may just not be providing pressure with the correct finger at soem spot, probably a quick fix.

Yes I know that the push through has that sort of rhythym and momentum, but at the same time, like Tony Chang says, the spec can almost sense that momentum, and can suspect that that hand that is moving from the front, down the side, and out the back has some control over that card. I like to do...

Sorry I didn't respond I went to bed last night. For the sound, work it like a side steal, remember to keep it on the same plane as the deck as it is being extracted, and don't palm it until it is entirely out. Also, A tip by John Carney on his On Palming DVD, which I recommend to all of you, is...

I think its important to practice the basic write up just for the mechanics, but I don't use it that often. I also like doing it from a peek, because it has been written a few places that some times to the specs its almost like a thought of card. and I LOVE any controls froma dribble, I think...

Well I think the other most obvious app is a direct control to the bottom. Although I haven't used it as a color change like Tony, I have used it as an addition on a few occasions, and actually once I used it as a switch where I moved the card into cop and then switched it for a card in my hand...

The Diagonal Palm Shift is one of the most widely studied moves from Erdnase's Expert at the Card Table. It is also arguably one of the most efficient techniques for palming single or multiple cards. Common problems during a person's development of the move are finger flutter, the sound of the...

I believe he meant the 1-on-1 sessions, as in the themed discounts on certain one on ones.

alright thanks man I will definitely check that out. I have been strike dealing from a modified erdnase because my hands are large and the push out was somewhat awkward. I'll look into some other bottom deals, I know there is one with very little push out and Steve Draun's deal that is half...

The problem is that I know why the sound is created, but if you take away that element of the deal, it isn't as deceptive visually.

Anyone know any techniques for this? Or has it been written anywhere? I'm definitely looking to improve that part of my deal because I think the other elements are decent. But I have done a Lorayne's Poker Deal as an effect, and everyone was baffled by how the aces were in my hand except this...

Its not the wheel change its the Groove Electric Switch from vanishing inc magic.

Use one regular signed card that you force in a plastic deck maybe?

alright sounds good

Egg Harbor Township. MY aunt lives in Marlton its about an hour from me i think.

I only know the few ones from the magic shop i work at. and they aren't all that dedicated. Anyone else in the area? i feel a bit alone here haha

http://archive.denisbehr.de/archive/route/entries.php?url=10,745,464,570 Check this page out. It has a few marlo methods mentioned and a move from ECT called the bottom thumb count. should suit the situation.

The last thing I would like to add to this (I know its Friday) is this page of sources for the top change. This is where variations and different covers can be learned. http://archive.denisbehr.de/archive/route/entries.php?url=10,745,460,502,517

Fezzik, for the Sankey technique, he meant tilt the front of the deck so the spectator would be looking right over the top of it, like the front edge is all he can really see.

Thanks Mike I have learned a lot from my own discussion and i know many of us will be thinking about the top change for the next few days. Unfortunately i have to go to bed now, but that does not mean the discussion will not stop! Discuss to your hearts content, or maybe until it is friday lol...

thanks for posting prae