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There are several minor details that can slightly affect your angles with this move (as with any other), so it's difficult to give a simple straightforward answer. Your best bet is a generic solution: keep practicing, and check all of your angles with a mirror. Pause at different moments...

Agreed. The critique of the method is practically exposure. There are ways to get your message across without divulging specific details; try the term "handling" in general. Also, if you're going to write a review, at least go through the product carefully before writing about it. Both of...

I think it would be pretty cool to hear some more of his stuff. My initial impressions of the tracks behind the previews and whatnot were great, but unfortunately I think I've heard the "Trilogy Contest" tracks to death by now. Similarly-crafted pieces would be quite welcome, though, and I'd...

I've actually toyed around with a similar move of my own design, but didn't pursue it much. If I'd stuck with it I may have been able to eliminate the sound and post-move squaring... maybe I'll get back to work on it. Thanks for the re-inspiration.

Already pretty smooth, but could always use a little more polish to make it more convincing and to lose the appearance of a sleight. Very interesting idea, too... haven't come across anything like that yet.