Search results

I think its just something about your everyday plain old spring that makes people just stop and look and say, hey can you do that again. It's when children point you out in the street and people beg you to do a card trick for them. Yeah, I like the spring

say that you have a sleight based on the ego change that you want to publish. If the sleight is only based on the ego change in that it does that thing with the pinky (herafter named as the thing with the pinky) and the thing with the pinky is used in other sleights such as the venus fly trap...

I'm 13. hurray for the minority!

when you start doing the tornado cut with your buspass

I'm new, What's this?

you can learn it on vector or centerpont by patrick kun

Usually I open with regal jokers by andy field followed by a trick I made up with a sort of similar effect to william tell. By then, I can judge how aware they are of sleight of hand. If they watch without seeing I usually do card forcing masquerading as midreading and (suprisingly, double lifts...

generally I choose to spring from the thumb with my index finger held loosely (for support really) at the top right corner, my middle and ring on the left orner actually applying the pressure. I mostly do this as it offers the most power and distance in my springs. Another way I sometimes do a...

I often perform only about 10 effects to any person at a time. I tend not to do many effects from theory 11 or ellusionist unless I feel the audience is getting bored. usually I tend to open with my own stuff and a trick called regal jokers by andy field