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1. Wonton 2. Twizzler 3. U.F.O. (Unidentified Fanning Object)

I think you're looking for the "Flight Deck" by John Kennedy. Amazing gimmick, I've seen it used live and it really is quite stunning. --- JK

Yoh! It was the gimmick I was worried about, but it seems like it takes quite a short while to make, as opposed to some of the complaints I've heard. I'm sure with practice, any gimmick-manufacturing will become second nature, just like card sleights. The effect is, indeed, very powerful, in...

Hahahahah... I only just found out about Theory11 from D. Madison's website. You could try the hefty "Revolutionary Card Technique" by Ed Marlo... It's like UK$40 over here, but it's equivalent to about 5 different books all-in-one that includes a MULTITUDE of Gambling Techniques, inc. ways of...

Yeah, I was referring to you... Unless you've forgotten about me and Jesse? Hope things are doing aight back in SIS! :P (I hope you are who I THINK you are... XD) Tudor's Pocket thing doesn't happen a lot of times... And it's from different pockets... The spectator will be so busy trying to...

For a deck that's worth the money BUT LOOKS NORMAL... Go for Tally-Ho's... Same price as regular bikes, but with a better feel (in my opinion)... Go for Bikes... If you have gimmicks that only come with Bike backs... People are already starting to recognise that Bicycles are the "Magician's...

The size of your hands DOES NOT matter whatsoever to palming cards!! This has been drilled into me by many different magicians when they hear me complain about my small hands. And I thank them for it... I wouldn't be doing Revolution Cuts if not for them! I was told a story once about a magician...

Any of Lennart Green's Shuffles are really effective. Not only do they make you look like you're a drunk person with cards (no seriously...), but the cuts look so chaotic that even YOU will swear that the deck is shuffled, so long as you know, by reflex, what to do! :P I'll second Cyrus'...

I'd go for Riffle Force... There are tons of subtleties to make it work, including how you actually cut to the card (e.g. John Gustaferro's 'Ballet Cut'...). Slip Cut is a little bit... Ermmm... 'Noisy' for me... And I've found that many people actually know how to do it, compared with the...

I've been hearing a lot of hype about this effect... Though I, personally, haven't got a copy of it yet... I've been trying to rave about it to a few magicians. All of them seem really skeptical about the idea and remain true to the original "Torn" by Daniel Garcia. They say "Torn" is the most...

Haven't heard from you in ages...! Looks like you've been up-ing your ambitious card routine since the last time I saw it on YouTube! :P I'll assume that what you're trying to get at is a good 'closer' for an ACR. I've heard of a quite a few deck vanishes that leave the signed card remaining...

The Performer VS. Props argument has been going on for years... Really, after hearing so many different arguments, I'm tending to the side of the performer rather than the props. I had a friend once who knew how to do a trick. Yeah, he knew how to do it, but performance-wise, I was appalled at...