Who is Paul Carpenter? Graphic designer Paul Carpenter is the man behind Encarded Playing Card Company. He made a big splash in the custom playing card industry in 2012 with his original Tendril deck, which was produced with the help of crowdfunding, and broke the Kickstarter record for the highest funding for a playing card project at the time. These decks were originally priced at under $10 each, but since they are prized by collectors, they typically sell on the secondary market today for more than ten times that much! Why was the Tendril deck so successful? It had some unique features that made it very attractive, particularly the fact that it was a black deck with fully customized artwork in neon colours, card backs with organic symmetry, and shadowed borders. These elements came together perfectly, resulting in a deck that was beautiful and practical, all at once, and had an instant appeal for card flourishers, magicians, and collectors. But the timing was especially fortuitous; it came out just as Kickstarter was really starting to take off, before the abundance of custom playing cards designs found on crowd-funding platforms today. Pioneers like Paul Carpenter were able to reap the rewards by publishing a good design, and capitalize on a market that was looking for something new and exciting, and where the marketplace wasn't yet flooded with competition, and this deck effectively launched his brand, Encarded. After that initial record-breaking success, Encarded has gone on to produce well over 30,000 decks of custom playing cards. The Interview For those who don't know anything about you, what can you tell us about yourself and your background? What do you do for a day job and/or what are your other interests? Encarded has been my fun creative side project since 2011, but I am also the creative director for an internet development company, and have been in that business since 1997. Visual design has been an interest of mine since childhood and I have always pursued creative endeavors that get to explore that area. I live in Florida, am married and have two super children, and we enjoy hiking, traveling, and spending time together. When did you start designing playing cards, and what got you started? I started designing cards in late 2011, after seeing an article in a design blog about the “Deck One” designed by Homer Liwag. At the time, I had no idea that custom cards existed and the idea of creating my own immediately brought back my childhood love of sleight of hand and card magic. How would you see yourself as a designer today, compared to when you started? The card market has changed significantly since those early days, and I find that my projects have become smaller, more “thoughtful” and fewer in number. Instead of trying to cram more product into a hugely crowded space, I prefer to take my time and consider more aspects and create decks that I personally want in my collection. What are some of the things you especially enjoy about designing playing cards? I primarily love the process of creating the back design. I find that exploring a rough concept, or stumbling across a motif and then expanding on it is the most fulfilling part. My second favorite part is definitely the box and if you look at any of my decks you’ll see a fair amount of attention paid there. Since many of my customers buy decks and never open them, I have also put a lot of thought into how to incorporate the deck inside with the outer appearance, which you can see manifested in cutouts or laser-cut details that expose the interior even if you don’t open the box. How do you come up with an idea for a deck design? My inspiration comes from many areas but travel to other parts of the world is probably the most prominent inspiration. My first deck, Tendril, was inspired by the rainforest of Costa Rica and many of my other decks have used motifs or ideas from other parts of the world. How many decks have you designed so far, and which of these have been your most popular and successful designs? I’ve created about a dozen main designs, but many of those have variants or limited edition versions which expands the total significantly. I’ve been fortunate that almost all of my designs have sold out over the years and most have become collector items, some of which routinely top the value charts for modern designed decks. I surprised myself a few years back by checking eBay and seeing what some of my earlier releases go for! Which deck (or decks) in your portfolio of created designs is your favourite, and why? If forced to pick, I think that Aurum is my personal favorite. I love the way the design and colors came together on that deck and it was my first foray into laser-cut boxes, which is still a very unique feature. The purple colors are not commonly seen and it has a “complex simplicity” that has become a part of many of my designs. How would you describe the style of your playing card decks? Are there any particular features or characteristics of your decks that you hope people will notice and appreciate, or help make your decks different from the many others out there? I do not have any particular style, on purpose. When I started Encarded I very specifically chose to explore a wide variety of designs and not do the same thing. Most of my decks are quite different from the previous releases. A common thread that I do like to explore is mixing huge amount of detail with an overall visual simplicity. Many of my decks will look somewhat simple from a distance but if you get closer you will start to see layers of complexity and high detail exposed through more careful study. What is your process in designing a deck of playing cards, starting with the concept, all the way to completing the project and having finished decks? I usually start by exploring a small aspect of a design, like a fragment of a pattern that I might stumble across. Sometimes I do quick and extremely rough pencil sketches, but most often I transfer right into the computer and start playing with ideas. I do not consider myself an “illustrator” and am more of a designer, so you won’t find huge notebooks full of concepts and drawing in my designs. I always start with the back design, then transfer to developing a related box, and then finish with pip designs and assembling faces. Which printer do you use to make your playing cards, and why? What has your experience with them been like? I’ve printed with both the US Playing Card Co and Expert Playing Card Co. Both have pros and cons, though in more recent times I’ve done smaller projects that lend themselves to Expert. I’ve found them to be a pleasure to work with, Bill Kalush has such a passion for cards and the people at the factory have a huge attention to detail. What are some of the easiest, and what are some of the hardest parts of the process in making a deck of custom playing cards? I find that the initial ideas are pretty easy to come up with, but getting all of the details just right takes a lot of time and effort. It can take dozens of test prints and changing details by just a few pixels to get the card looking perfect. The hardest part, by far, is fulfillment and customer service. I have never wanted to offload that to a third party as I want to ensure that everything is packaged perfectly and also so I can accommodate special requests like signatures. Doing that process myself is the way to go but is painful. What is it about designing a deck of playing cards as a creator that you wish consumers realized more? I mainly wish that people would be less swayed by fads and look more to the artistry that playing cards are capable of. So many of the decks these days are just lazy design and have no redeeming quality other than being “from that cool guy” and it’s mildly disappointing to see excitement for decks that are literally the 10th color version of the same lacklustre design. If you expand your horizons and look to finding true art you can come across some utterly amazing and gorgeous decks.