I am looking into a rope routine and Arabian tent mystery right now,
I think that i will put newspaper tear,
There is this one trick I am interested called zydecomb it is in Bizzaro's penguin lecture
And maybe a humming card routine.
That's all I have so far, feel free to suggest me more.
The audition for a talent show you rarely get much more than 2 minutes, so rethink your list.
For an act you can't just toss a pile of tricks out there; it must hold some form of constant. Go to youtube and check out videos of the classic silent acts like Lance Burton's Dove act, Richard Ross & the Rings, etc. study how they segue' between effects as well as how, for an example, a dove worker moves into card manipulation and then reprises with birds so as to keep the "act" fluid and consistent; it's a dance!
This is why you should never get involved with a gig UNLESS YOU HAVE AN EXISTING ACT! Never sign up to compete. Never agree to do a show
until you are actually ready and have a product that can be demonstrated; something practiced, choreographed and that you can do in your sleep.
You're young and inexperienced which is why you're making (in your mind at least) certain typical mistakes, such as "Trick Salad" (tossing a bunch of non-related effects together). . . especially if you are doing so "dramatically" (which is far more difficult than you might want to believe) and silent. As I said, comedy is easier and more forgiving when it comes to the nerves you're going to have and being able to deliver a solid performance; allow it to get your comfortable with being in front of the public doing something "new". Remember that you have 15 - 30 seconds to capture the audience's attention and get them to invest in you as an amusement; do any of these effects lend to you that potential? If not, what can you do to change that situation?
As you can see, there's a lot more that must be weighed than "what tricks can I do?" There's the matter of what effects will look best for you.
Though it's a bit outside your budget I'd suggest you buy a set of Fakini Billiard Balls and concentrate on learning a solid manipulation act using them and some silks. It's classic magic, you do not need to speak and can be done in a very formal style of presentation. Most importantly, it flows. Yes, the balls will cost you about $100.00 + a few silks and special gimmicks . . . figure at least $200.00 to $300.00 for a decent act + an appropriate outfit (Tux & tails if you're doing formal magic). I wouldn't suggest Linking Rings though there are routines you could get the basics down on (if you started next week learning them) but we're talking about an act that takes seasoned pros YEARS to get down pat.
Do you see what I'm driving at? If you want to be an "artist" with the more dramatic feel on things it takes time and it takes money; magic isn't for the poor and by that I mean financially as well as the ill-focused. So this brings us back to the Mark Wilson book and learning to develop a solid but simple sequence -- An "Act".