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That's amazing. If it fit certain criteria, I'd use that as a closer.

so old that hardly anyone knows about it. It's ancient.

Mmm, it's great from a stack, or even with marked deck, but I like using this as a closer, and in my walk around set in which I use this, I get the audience to shuffle somewhere in the middle. and I don't use marked decks, but yeah, it's great.

It's necessary FASDIU

Of course not always, but I believe that in more situations when a spectator selects a card from a spread, and returns it to a spread, the spread pass is the most effective move. I never questioned the motivation behind the flourish. The same thing that can be accomplished with a dribble...

That's true, but if you're getting them to pick a card from a spread, a spread pass is superior. Each move is good in its own situation, and the cascade has to be done immediately after the selection process, similar to a dribble/riffle pass.

I'm actually a bit iffy about both of these controls. Cascade control: The selection process is a bit questionable. If you actually use the riffle glimpse as a selection process, or are willing to change your method of audience selection simply for the sake of adding a control to your...

Meh. Magic follows trends just like everything else. Heaps of sheep think that Stephanie Meyer is a good author and that pop music on the radio nowadays is somehow good.

I do have problems with tricks like these. I've not met many magicians who can make these tricks congruent with their persona. But that's looking pretty deep into it, and we could probably save discussion about that for another time.

or you could learn how to manage your audience, and then you won't have to worry about them looking at the card too early.

The last two are touches and subtleties from magicians whose magical knowledge seeps through in their videos teaching sleights. As for lack of presentation, it's not as if there are any t11 releases that teach magical theory. Look, here's a card, and I'll rip up, blow on it, and now it's back...

Goodwin's Reflections? Williamson's touches on the Top Change? Carney's palming videos? Yeah, that's not magic at all.

Play around with the angle of the card when it's outjogged, right before you do the change.

it depends on your character. Look at Cardini, the way he reacted to cards appearing, because that was part of his character, that he wasn't really the one doing the magic, the magic was happening to him.

I love the kind of stuff spambots say nowadays.

cute. It's like a pass false cut for people who can't pass.

Plenty of good tricks with stacked. I wear clothes with lots of pockets, so it's not really much of a hassle at all.

1 stacked, 1 free for shuffling.

thanks, I'll definitely look into that.

Hi guys. Can anyone direct me to any sources in which a spectators signed card appears inside a sealed envelope, where the spectator themselves can open the envelope and retrieve the card? Thanks heaps.