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This has been a thought of mine for awhile, how come we spend so much time perfecting a sleight like the pass when all we need to know is misdirection. For example, you could spend almost a year trying to perfect the pass so that someone could burn your hands and still not see it, or you could...

Ok, mainly I do card magic or anything small with ordinary objects. Recently though, I went to a magic shop and I was told I should get into more stagey stuff. I've been looking around on the Internet and I've seen two effects that really pop out to me. They are Hold it Buster by Dan Harlan and...