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The bigger the better for visibility from a distance. You can find leather working needles that are fairly large in size. I prefer razor blades myself.

I assume you are referring to the routine Franco just did in his special. It was a combination of Pressure and Sankey's Airtight (and a LOT of editing)

I quite like Greg Rostami's "Stuck". I make him perform it for people at conventions. (also, glad you like my stuff too)

I'd like to see the modifications you made. Shoot me a video.

Cookie Cutter is Dan Sperry not mine.

A couple things: One I have hung out with Roland when I was in Germany. He's a nice guy who is actually pretty creative. He also works. He also cares about magic which is why he does what he does. Sometimes to get people to think or pay attention to something you have to challenge them...

http://www.magellanlevitation.com/zombira/

The Thing is closer to Losander's Bubble Zombie than this. This is intended for stage and looks really nice. It requires practice which means 90% of magicians won't ever do it or buy it.

Too bad you won't be here a little longer. On the 20th is McBride's Wonderground.

You can eat the middle in a sense. The video linked in the instructions talks about it.

I want to challenge this a bit as they did a lot of editing reactions to an effect they didn't show. Want an example? The "restored bill" to me is extremely scummy. I could point out more examples but this was by far the worst infraction of the two shows. Moderator Note: Edited to remove...

The think geek shirt - http://www.thinkgeek.com/product/a5bf/

I a different object as an ending. You set them up to expect one thing and they get another (Sponge doughnut, word etc). I also use my color changing sponge ball to make a different color ball appear in their hand.

Actually you can have people on the left and right if you block it properly with your hands. Just be aware of your angles.

Chocolate covered because I'm selfish.

So let me ask you guys a question: Do you feel you are performing the magic you want to do or the magic you think you HAVE to do?

I have only been on the road a little bit and the times I went out were with a sideshow. I can tell you that there is very little glitz or glamor unless yer a rockstar and even then it's work. Like everything it's got it's ups and downs and it's not the life for everyone for sure. The worst...

8:30pm PST I think? *Ahem* Fairly early on. I always did what made sense to me (And a lot of magic makes NO SENSE) so I would alter the look or presentation of a trick or routine even at a young age. A lot of the things I created early on were stage effects as I was always drawn to that style...

Most of it is out of necessity to look more professional and have a theatrical flair. I wear a trenchcoat in real life but on stage I needed one that gave the shape of the coat definition hence the red trim. Originally I was just using eyeliner and blackening my eyebrows so they would be more...

Usually it starts with me thinking to myself "Wouldn't it be funny if?" and I go from there. The effect comes first because I know I can develop a method. One thing I can say is that if you have an idea MAKE IT IMMEDIATELY. Even if its a shoddy version just do it. Otherwise you might not ever do...