misdirection

I have a question about a passage in Juan Tamariz’s The Magic Rainbow, pp. 179–182, where he describes the “emotional eraser” experiment with the card, the glasses, and the staged accidental shock afterward. What I’m trying to sort out is this: why should we interpret the result primarily as...

I have practiced the classic pass for about 2 weeks, I can do it smoother and faster now. I am trying to replace the double undercut control. I want to know how could I distract audience not to look at my hands while I am doing the pass. And how do you misdirect audience generally?

Hey guys my favorite type of magic effect is the misdirection kind. I know almost all card tricks involve misdirections but My fav misdirection tricks I perform are Box clever by James brown and Coin to hand/shoulder/under watch Im wondering if any one knows any other tricks along those lines...