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Some of you have been asking me about the original version of this as well and where to buy it. I actually have both the “BETA” version (the original version and my first ever release!) as well as the complete version that teaches 6 additional variations both available here on the marketplace...

Locked.

This thread seems to be from 2011. Please refrain from bringing back old threads from the dead. :) if you have questions about royalty free music please start a new one. Thank you!

Anyone know how this compares to “Toi Box” by Jonathan Kamm? Please do not tip the method, however if you know both methods I am curious to know how similar it is. Thank you!

Hello everyone! Hope your weekend is a great one so far! Just wanted to give you a heads up that my new Triumph effect “Tour de FARCE” is now available for download in the marketplace. 100% FOR FREE! :) Here is the direct link to download the tutorial...

Wait we pay him? lol

Stay tuned as next week I'll be posting a video on this very topic. Here is the TL:DR version real quick. -Use what you know and perform well. -Seperate effects into 3 categories (Openers/Middle/Closers) -Use the effects that you feel carry the same tone. For example if you are doing a comedy...

I simply initial the decks that are set up for specific tricks. For example My deck set up for "Chicago Closer" is simply labeled "CC." The deck set up for "Do As You Want" is labeled "DAYW" and so forth. You write it small enough that you can see it id you are looking closely for it, but no one...

His IT just snapped as he was hooking it up to the spectators borrowed ring.

I have gotten out of Magic a couple times in my life. It happens. You findither hobbies or just get burned out on one thing. Not anything I would worry too much about. Get involved with other things. Expand your horizons. I bet you will see something that inspires you and before you know It you...

The control you use should be the best control for the specific situation you are using it in. For example I often use Marlo Tilt for my ambitious card routine as my go to control, however tat control doesn’t do me much good in most other card effects I perform. So it really depends what effect...

The first thing I would do is check your routining and make sure you are not accidentally creating this environment of “can you guess the method?” Of you are noticing people call you out quite frequently then it may be an issue with your technique (flashing maybe?) or an issue with your...

I don’t advocate for either. I believe it is up to the individual in question to decide how they want to learn and what they want to do with their magic career.

I honestly think it depends on your goals. great example is playing music. Plenty of great musicians have no idea how to read music, but if you want to become a professional magician you prolly should take the time to learn and be classically trained.

It may have, hmmm haha no worries I’ll see about figuring out which Christopher it was haha

My brother from another mother Keith O’Brien (AKA @keithobrienmagic) created this amazing piece of art! Thought it would be fitting to share with all of you here! Feel free to show him some love. Enjoy!

Just talked to someone who recently purchased “The Halo Project” by Patrick Kun. Seems interesting. Maybe he can chime in on the subject?

His thread is pretty old so I went ahead and locked it. If you have questions about Nathan’s discord project, please feel free to reach out to him via PM. Thank you! -Michael O’Brien

I typically do faros but keep in mind it is more of a routine than a single move. For example I’ll rub the deck on my jeans to buff out the sides, then do some faros then do an overhand shuffle shuffling off single cards through the whole deck, then I’ll do more faros (this time with a bridge)...

Hahahaha nice’ :)