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On one of the pages, it is clearly stated that instructions on how to make a gimmick are included.

That would be J.K. Hartman. To te OP: although not directly related to this effect, maybe a point for future videos: try not to do any unnecessary body turns or other view blockers. I feel it distracts from the effect itself, simply because it starts to annoy me halfway through. ;)

Wiseass. ;-) One should take note, however, to not follow along along with Sanders' orientation of the bills. By using the orientation used in both Prophet and Hundy 500 (which, let's face it, is the version that drew the most attention to Easy Money in the first place), one obtains a change...

This is why it gets fuzzy: EB and Prophet both use the Easy Money gimmick, so that would be the same. Richard, however, has made an addition to it to make the changes in EB possible.

Read my previous post: it is the same gimmick. As for the inclusion of Slow Burn: keep in mind that Slow Burn was released several years ago. I think it was a nice touch of Richard to include it on EB. As for EB vs. Prophet: I know that EB is very versatile, thanks to the many changes...

It is the smae gimmick, however, Richard has made an addition to it that make the changes in Extreme Burn possible. The nice thing though, is that it is backwards compatible: Slow Burn can be done with this version. In fact, it is taught on the DVD.

Funny you should mention Ninja 1. I met Aaron in Blackpool last February, and we were chatting magic in general, when he asked me if I used the pass at all. I said I never really got the hang of it. "Where'd you learn it from?" "Ellusionist." "That's your problem, right there."

Ditto on the performance part. There's plenty of resources already to learn the technique, and those willing, can find it. It's the stuff BEYOND the tricks and techniques, that I would like some worker's advice on.

You are correct, sir.

The main reason I posted was that most here have called it the 4 for 4 switch. ATFUS is also a 4 for 4 switch, and there are numerous others; the distinction is in the name. This is THE For 4 For switch, which is A 4 for 4 switch.

Adding to the above: ThreeFry is not a VCA, rather a 3 coin vanish and reproduction, then simultaneous change. Plenty of other performers have put out material on the VCA: Reed McClintock, Troy Hooser, Chris Korn (?).

For the record: it's called the For 4 For switch. Can't blame you, even Chris got it wrong. :D

You don't even mention More Memory Man?! On second thought: keep it quiet! :p

I think you're not getting my point. We are supposed to ask ourselves when practicing techniques: "How would I transfer a coin from one hand to the other? Let's make the sleight look like that as much as I can." I wasn't alking, by the way, about customers handling the coins, but me. When I...

You ask if we think this is good enough to be marketed. Three things: - The practicality issue, but you've already adressed that in other posts. - DO RESEARCH! There have been a lot of releases lately of 'old, but forgotten or revamped' principles, which turned out to be either crap or...

I feel you left out one important factor: naturalness. Taking the example of a false transfer, for instance: I work behind the register in a store, and I've taken that oppurtunity to observe how coins are naturally transferred from hand to hand. Hint: nobody uses retention passes ;). Going...

Koin, what you are referring to (David Stone's performance) is Michael Ammar's Wiped Clean, which can be found in numerous sources.

Signing an object makes it more presonal?! Yes, because people care about quarters, playing cards and you business card. :confused: BS, I say!!! Borrowing an object like a ring or a watch makes it personal, because people care about those items; they use and it probably has some special...

And that is why they say: if you want to hide something, put it in print.

Please tell me you're kidding. :eek: Tommy Wonder only wrote one of the GREATEST tomes on magic in existence. (Well, two to be precise). His thinking on numerous subjects, especially misdirection, should be studied by anyone serious about magic.