Technically speaking there are hundreds if not thousands of such things and that's without getting into the fanning and flourishing side of things, which is actually the more appropriate side of card work on stage; just watch those classic manipulation acts of old if you doubt me.
I don't recommend standard card effects for stage work i.e. pick a card and using a regular deck such as you would at the close-up table or even parlor settings. Rather, use jumbo cards and do schtick such as the old Sidewalk Shuffle and similar monte type routines or, with a normal sized deck, gags like 6 Card Repeat. . . these are "entertaining" to most people and not mind numbing and boorish as most card magic becomes . . . depending on the performer, and that's the big key; If YOU are entertaining as a person then it generally doesn't matter what material you do so long as you design it for the sake of fun and amusement. Unfortunately there are very, very, very few card workers that can meet that mark. In nearly 5 decades around magic I can name about a dozen such characters that I could watch for hours at a time.
Be picky about the effects you do, don't try to be too fancy or technical, and develop material that fits your vision of self and how you want to be seen and remembered. This is what's most important.
