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1)Yes 2) Usually I luck out and it's the kind of stuff like "Now let me shuffle the deck" or "let me turn the card over" during a trick where they can, but if they ask at a bad time I just try and ignore them. Let him annoy the people he's trying to impress y'know? 3) They're looking for...

If there's no money involved I'll do a few glimpses, top to bottom cuts, then some false shuffles and bottom deal. It's good practice in a laid back game. I might also recommend that if you're into this kind of stuff you should purchase Expert At The Card Table.

Surfaced by Chad Nelson

I don't think having audience participation is the only way to establish a connection, although that is what you need to do no doubt. The majority of performing arts don't establish a physical connection. You don't play the instrument when you go to a concert yet you still are connected. When...

It wasn't very pretty IMO, just kind of fast and choppy. I would reccommend watching Jeff Teo's faro triumph as it really is very nice.

I would say there is never only one way to do something. I guess if you were REALLY creative you could tell a story with the cards on stage almost like a play. Or you could have a cirque du soleil type thing on stage with multiple people manipulating while bending over backwards on top of each...

Good one :rolleyes: Breaking posts down takes 2 minutes more than quoting the whole post and makes things a lot easier to understand. No, I'm translating your words into what you meant. If their was no harm intended by your post than you wouldn't have went on your "cardIstRY suXorz heRe Da...

This thread makes me want to eat babies... Translation: I'm gonna ***** about how much this place sucks/what it does wrong and want to gain some sympathy from the higher ups at t11. You didn't even make it one sentence without ranting. Seriously, we get it, you hate this place, you're not...

Part of my brain exploded from the trailer, I can only imagine the chunks of brain flying when performed live...

But masturbation is entertaining >.>... I played at a Mozart Festival today, and after I was done a group of dancers performed a routine on stage. I was thinking, if you take away the music you take a lot out of the ballet. The people that are performing understand the beauty of each movement...

You're crazy. They live to please us.

IIRC One of the versions uses a very popular magican's tool that you should find at a local magic shop and definitely be able to get online. If you don't like it there's also a version with another widely known gimmick so you should be OK with that. Edit: D, I've never even heard of a catalog...

Well, that's my point, you can't. The charlier cut is described in Erdnase as a shift.

That's great for cardistry, but what about the magic 1-on1's? Do you recommend n00bs go on youtube instead?

The reason for the positioning is to allow for the highest possible speed. The speed at which the S.W.E. shift can be done just cannot be attained by the charlier pass.

It might just be me but I didn't have the special "you know what" lying around for the pen version for Devil's Touch so I had to get one online. As for Breach I went to 3 hardware stores before I could find "it".

My memory might be foggy but I thought it was completely one handed and the other hand was used for cover...

*cough*briannationxpresdigitatatornamiehara*cough*

The two effects I've concentrated on (Breach and Devil's Touch) require a couple things that are a tad hard to find. One requires a hardware store or an internet connection and the other one you really have to get online unless you bump into it by chance.

meh 4/10. The photoshops were so...choppy.