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Thanks man.

Just one question - for esoteric, can any wallet be used?

Presenting magic properly, and sucessfully conversing the underlying message of magicians and their magic should be the most important thing of all.

Welcome Home Ozzy. Where we all should be.

Bizzaro, that isnt the way. Because you did things at them. Not for them.

You know what would be nice too? Establishing yourself as a true performer in front of audiences on the higher end. Take it as practice, take it as a note, take it as a critique, take it as you will.

Thanks for the clarity Dee.

Hey guys, i just want to hear from anyone who has ever read the book, what are the stuff this teaches you? Is it worth the buy? Thanks.

Then why did you ask the question to begin with when you already have an answer you put faith into?

Learn to use their eyes and mind against them. Ask them questions that causes them to recollect in their minds, by the time that happens, though their eyes are looking your way, their mind is elsewhere, it is the split moment where shade is given. Very powerful tool. No need for misdirecting...

Very well put there visualartist. Very well put.

Why do you want to connect to an audience just on a specific part of a procedure, and not the thing as a whole? First of all, the thing you must strive to work on is to get the commited to your performance and the things you do. Like Steerpike asks, you can do magic, but why should they...

Hey RD, man you really are hitting up the streets huh? Very good. Im just going to not talk about all the mechanical aspects, more on presentational aspects. First off, RD, the bad habit of walking up to someone with a pack of cards should be changed. Think about it, if you were walking on...

Hey Sam, you wanna check these out man, way better than Yuumei's one. http://wirestyle.deviantart.com/art/Blackrock-Card-Deck-119325851 Anyway, why not focus on your presentation and creating strong magic instead of asking souless questions unbenificial to your growth?

I myself know a few forces, one which i use nearly everytime, when i go to perform an effect which two people, that would be the only force i'd ever use. They don't see any "sneaky business" going on. Unless the way you force is unpolished, and is blatant.

I actually was concious of myself spitting out that line when i was performing. In my head i was like "Now wth happen there!?". Kind words RD. Kind words. And in terms of eye contact, until i learnt about it, i didnt know it was such a powerful tool. The use of eye contact and literally...

http://vimeo.com/5264250 Effect: Momento Direct Audience: Two young adults who were enjoying there time at the Graffiti Exibition. Saw them wandering around when i was performing for the first group (the first vid i shared on the topic). They instantly agreed to show them some stuff when i...

I always use the Bluff Pass, after i read the Paper Engine, i learnt the subtlety Aaron teaches, from that moment on, my Bluff Pass reached a new level of Bluffing. I fooled a few card workers with it.

I tend to do psychological card forces the most if one the street doing these sort of things; in actual i only do it in Parks or quite areas of the city. Like Starbucks, or stairways, Bus stops, Train Stations etc. Still works.

Maybe it's other people's ego that drives them towards adding a bit of vadility to their craft, maybe its for the attention, maybe its both. Its all about taste. How do you taste your magic? Do you believe in magic? Do you believe you can do magic? Do you want to be honest? Do you want to be...