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So i'll lose your card in the deck, and if i snap my fingers.. ZING black hole. world disappears. One hell of a trick.

I agree. Its definately 42.

uh.. R3 is madisons close friend elis..

most of the virts are overseas and stuff i think, but you could look up jaspas and such. Quite sure a couple of flourishing dudes over at Republic Poly visit these forums too so you could get a couple of contacts from them if they reply.

he got out of hand with the bashing and was being a troll. why... whatre you planning RD?

oh my god that TOAM video just destroyed what i thought could be the method for slink. My brain asplode

actually,i think you can put up your tips on the count or variations on various magic sites, but not the basic teaching.

anyone can ... and make markings appear. the mysterious thing here is that they never see you ... which would prove your friend wrong. anyway, you CAN do disjointed without sleeves. I do it all the time and no one notices ...

steer thinks differently so hes immediately a WITCHH!!! just kidding steer, i always find your posts fascinating. anyway, to the point, id pick up the dvd for the card throwing. always wanted to watch rick smith jr teach it.

big hoo ha over the white cents. you DONT wanna know.

hey man, im quite surprised no one replied to this thread anyway, i found your version of triumph relatively impressive, but not very very practical. (angles and such) good technique, but not a version i'll be using. cheers!

dude i was going to cite indecent as an example in my post. haha anyway, i see your point about how it helps new magicians, but surely, the exposure will not help in the long run. Already, there are too many magicians whos source of knowledge comes not from mentors or books or dvds or videos...

i use a force that has dribbling, but um, it does require a gap/break at the back. Kinda works because of the "lag time" between them saying stop and me actually stopping. but anyway, dribbling forces dont seem fair enough to me. I always thought the slip force(?) was one of the best ways to...

honestly, i dont see how that weapon would work... false.

"Also... wow I was hoping for more help than just 1 response. Why is it that everytime I make a thread seeking help here, I barely get any? I must've(once again) came to the wrong place for help... " usually id say whiny.. but no, i'll help. the exposure that youre talking about is...

well... kinda obvious. As magicians, we are meant to make our audiences BELIEVE that we can achieve the impossible. So I say you dont tell them, but in fact, leave them hanging in the middle. At the point where they think, maybe he DID make whatever float, maybe he didnt, maybe... he made me...

and ive had this folded up card in my shoe the entire evening, and it is.... NOT your signed card! *palms off another card well, you see, thats because in my back pocket theres another card the 7 of spades! .....which is also not your card! dude seriously where the hell is your card.

how to pronounce Mitchell stu...stafi...Stafiej's last name. haha just kidding. Would love to see some coin fundamentals from you chris. And a one on one with danny g on performance techniques and ways to connect with the audience.

Go up, ask if they want to see something cool. (always helps to have cards in hand or something) introduce yourself and ALWAYS ask their names. Do a round of hand shaking and then proceed with the trick. My couple of cents. If you need advice on how to approach spectators with magic, and in...

cough trianationX? hahaha, you could always do a bit on them trying to piece together an emotional storyline for each trick to make them more "professional" and "copperfield"