How long can you go on?

Aug 18, 2008
680
3
A recent post got me thinking about a question I have been asked many times over the past few years. It can be phrased a few different ways, but essentially means the same thing.

How long can you go on performing?
How many tricks can you do?
Do you ever run out of tricks?

I would always answer these types of questions the same way.

"Oh I could go on forever"
or
"By the time I ran out you would be sick of me"

This is always in a joking way, not to brag, because I really don't know the answer. In all honesty you should never run out of tricks. This is not because you should know so many you can preform for hours on end, but when you keep preforming over and over and over, the amazement will slowly disappear.

I have been caught in situations where the audience just keeps wanting more. My most memorable experience with this was a lock down in my school a few years ago. There was a bomb threat and my entire class was locked down in the gym for about 2 hours. I was lucky enough to have some cards and coins on me, and started doing magic. I had a bigger crowd then ever before, and was very excited. I was getting great reactions, and my classmates kept asking for more. I didn't have any extra cards or gimmicks on me, so after about a half an hour my brain was fried. I started digging tricks up that I hadn't performed in a long time and old stuff from books I read when I first started out. As I kept going, the audience started to dwindle. Applause turned into just little oohs and awws and finally nothing at all.

Looking back now I am very embarrassed by my performance that day. The reasons why the audience became bored had nothing to do with mistakes with the actual tricks. The problem was each trick I dug up was less impressive then the last. I started out with my best tricks, and had no structured routine. After a certain number of tricks, sleights and controls start to be repeated over and over and the audience can predict whats going to happen. If you do the same control such as the spread pass again and again, people will start to catch on.

So I guess there is a moral to this story. Always structure your routines. Don't just perform random tricks one after another. Have set openers and closers. Your strongest tricks should NOT be first. You want to go out with a bang, that's what you will be remembered for. If you do what I did, no one is going to remember you.

KNOW WHEN TO QUIT. Leave the audience wanting more. Not only that, but if you ever perform for the same audience again you want to have more to give them. That day taught me a lot, and making those mistakes and realizing them has made me a much better performer. Hope this helps out some people. Thanks for reading


Chris
 
Oct 22, 2008
789
0
yah unfortunatley when applying for a job to work doing magic at a restaurant etc. they usually ask that major question. But that was not bad advice.

-Jake
 
Mar 2, 2008
412
0
Yea when the day my wrestling team found out about my magic, every duel meet they wanted me to do magic, i did even it out because we had 30+ kids on the team and i preformed to a couple at a time so i made sure different people saw different tricks. Even the coachs were really getting into it.

So when you do prefrom and theres alot of people try to keep control of the audience and do smaller and more segments of people insted of one big crowd.
 

RickEverhart

forum moderator / t11
Elite Member
Sep 14, 2008
3,637
471
47
Louisville, OH
Yea when the day my wrestling team found out about my magic, every duel meet they wanted me to do magic, i did even it out because we had 30+ kids on the team and i preformed to a couple at a time so i made sure different people saw different tricks. Even the coachs were really getting into it.

So when you do prefrom and theres alot of people try to keep control of the audience and do smaller and more segments of people insted of one big crowd.

That is funny. I am a wrestling coach and do magic for my team and they wanted to see magic before every dual meet as well...ha ha.
 
I only have at the most 20 tricks that I perform well. I do not let the audience control me if they want more and I do not want to perform anymore I usually just cut them off and change the subject. The reason for the abrubt ending, is to help prevent me from performing a trick that I don't feel confident enough to perform for people.
 
Apr 28, 2008
596
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When i'm performing casually for friends I don't have a set routine but I try to make the spectators feel that there's a clear progression heading towards a definite ending. I usually finish with either Out of this world or Triumph, I find that anything else performed after these is going to lack impact. Before the final trick I make it clear that it's going to be the last effect and when it's done I just hand out the deck if anyone wants to check it and sit back, my attitude and body language clearly shows that i'm done. When I do this people usually accept that it's over.

If it doesn't feel like there's any real progression and you don't build up to an ending the audience will have no sense of closure and it will feel like an abrupt end and they are likely to ask for more.
 
Jul 8, 2008
443
1
3 coins will get probably 4 hours out of me lol
1 deck will get about an hour and a half
3 safety pins can get a half hour.

A lot of times I will do maybe 2 or 3 tricks and if I get requests I start double lifting and doing some completely on the spot things.
 
Jun 10, 2008
1,277
0
You little stalker!
I usually do one of 3 routines i have structured. They each contain an opener, 3 middle effects, a closer, and an encore effect.

If i start performing the first middle trick, and i see i'm running out of time for whatever reason, i will finish with the closer after.

If i have time, i'll go through the whole routine.

If the audience still wants more after the closer, i move into an encore effect, which is not necessarily stronger than the closer, but it's a different theme (Ex. The closer may be a card trick so i may have a coin trick as an encore trick.)

The important thing is to have a sense of progression. Every trick has to be stronger than the last one. The closer being your strongest. The encore trick does not have to be stronger than the closer, cuz if you've structured your routine right, that's almost impossible. The encore trick just has to be something totally different so that it's incomparable with the closer. Therefore, the sense of progression remains.

If the want more after the encore effect, i may move into a routine involving a different prop (Ex. if i did a card routine, i may move into a coin, rope, or mentalism routine). But most likely, i will simply stop and say something along the lines of "Sorry people, but i'm running out of chi. I have to rest, i'll see you all later!"

Also, you can use a line while introducing the closer to let them know it's the last effect. You can say "Ok, for my last trick......" or "I'll show you one last thing." That way, people will not only know the routine is gonna end, but they will expect a big finish, which is exactly what you're gonna give them.
 
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