Let's play dress-up!

Oct 24, 2008
244
0
Savannah, GA
Dress up your presentations!

For this, just take a trick you like (maybe one you perform, maybe one you haven't performed yet, doesn't really matter - though I daresay this will hit harder if it's something your hands have rehearsed endless times over) and give it a nice presentation. Write it out, describe it. Do as many as you want, with different effects, similar presentations, however. Just get the creative juices flowing! Follow whatever format or writing conventions you want. Better yet, film it!


Stigmata
The magician circles his guests, all seated at a dinner table. The lights are low. Candles flicker and add insignificant degrees to the drowsy heat of summer. Soft instrumentals play from another room, barely noticeable: odd textures and drums co-mingle with simple bass lines. The magus himself wears a thin, copper-colored cloak that drags the floor as he slowly paces the circumference of his audience.

As he steps behind each person, he suddenly reaches over, plucking a coin from the air mere inches from their eyes - a centuries old, tarnished, worn coin of unknown origin. Each coin is different, representative of the guests seated at the table.

Throughout the night, he's been oddly charming, the way Hannibal Lecter or Gomez Adams can be charming, and at the same time harbor an ominous truth about their character that they simply don't concern themselves with. An initial aura of unease soon gives way to entertained smiles and rich discussion about ghosts, the occult, philosophy, and similar esoteric topics. Now, his voice low, a little raspy, he makes his way to the empty chair at the circular table and allows the coins to slide from his hand into an old wooden bowl. They fall with multiple clinks.

He turns to the man to his left and invites him to open the decanter and pour the wine - a rich, red nectar.

As everyone's glass is filled, the magician pulls a coin from the bowl and offers it to its "owner", noting it as "payment for a thought." The woman accepts the coin in hand, squeezing it firmly but comfortably. As she starts to speak, the magician softly silences her, and instructs her to just concentrate on her hand. Soon, he says, she will feel The Warmth.

In a rhythm, the magician passes out coins slowly, and deliberately, stopping after every other coin, or every three coins, to turn back to whomever can feel The Warmth growing in their hand. The magician speaks with a grin, pronouncing the thoughts from several members of the group, dredging up memories of their lives past. He holds the last coin in his hand, and dangles it above the man's waiting hand - "Recall a loved one, a time of intense rapture. Remember a time spent with this person, and remember as much about them as you can. Their eye color, their hair. Their voice. Yes, especially the voice..." his own trails off into an unsettling rasp. He pulls the coin away and instead offers a small scrap of paper and a short pencil, instructing the man to write this name down. "Don't speak it, for that will dissolve the essence. There is a purity to thought - but write it down, to insure you lock on one specific person, one specific name."

The magician sips his wine.

Taking the folded paper back and trading it for a coin, he edges it closer and closer to the large roman candle in the center of the table. It touches the fire - and with a flash! it is gone. Dissolved. The magician instantly channels a letter: "R... Rrr..."

"Richard... no, no..."

Dipping two fingers in his wine glass, he traces it along his exposed wrist, letting the liquid beads run to the under of his arm and drip to the floor. He clasps his hands together and requests the name's owner to grip his wrist - to grip, and to remember.

"Remember everything about this person. Every last memory of her... it is a woman, isn't it?"

Slowly, he pulls the man's hand away to reveal the lingering stains of wine - they start to shift and change, move and contort, and form the scrawled letters "RA"

"Rachael... the wine was weak, but if you look close enough, you can see the rest of the name along the veins, down my arm..."

Sure enough, everyone can. Then, suddenly, in rapid fire, the magus begins calling out more memories, refined moments from each person's life. And with wonder they listen! He then asks them to slowly, slowly open their hands...

Their coins, bent. Warped. Impossible.

"Passage across the rivers of time. Fare for the toll."

And with that, the first clinks and shuffled sounds of dinner being escorted out fill the air.
 
Oct 24, 2008
244
0
Savannah, GA
That was awesome.

Quick aside - it's a script I've been kicking around for a while, ever since I had half a bottle of Cabernet sitting around on the kitchen table. I thought the red of the wine looked a lot like how the letters look when you perform Stigmata. The original plan was to tie it into some occult ritual to feed a Lovecraftian entity who ate thoughts. It evolved over time, though - all I need is to find some distinct coinage.
 
Sep 1, 2007
3,786
15
Very niche, but workable. A nice twist using the red wine as the vehicle for the markings. Something that could be adapted to other settings as well.
 
My God. At first I thought "This is lame" and I almost pressed the back button. Then it roped me in. I read it twice. I love a good book and I will say you have a talent in writing. I felt like I was there.
 
Oct 24, 2008
244
0
Savannah, GA
Very niche

Totally is, but if you're upfront about what kind of performance it's going to be, and you're consistent, then for the right crowd it's going to go over really well (and my whole sentence there just reinforces your statement, hah).

Thank you everyone for the kind words, but lets see what other people can come up with, also.

Here's another one:

Sean Fields' Ambitious "Tesla Experiment"
On stage, the magician paces back and forth excitedly as he talks briefly about thoughtforms, or manifestations of belief and mental energy. Mind reading, he claims, is nothing more than covertly drawing out such a thing to reveal someone's thoughts (and of course, as no one present has invested belief in such things, they have been rendered invisible to the audience, the magician says with a touch of humor towards the audience's reception of his save).

But does that mean that by believing in what you create, you can see it? Actually see its handiwork?

A young woman is called on stage and sat down in a chair opposite the magician's. Her name is Tabitha. Questioned by the magician, she confesses to slight, playful believe in notions of Eastern spirituality. Asked to recall a memory of an event from her life that was mysterious or that she couldn't explain, she discusses it briefly before the audience, magician included.

"Did anyone ever shed any light on it? Did you ever figure it out?"

She says no.

"Okay. You know where you were, at the time, right? Write it down. We're going to make a thoughtform, today, for everyone here."

The woman scribbles and folds her paper, she goes to hand it back - the magician denies, saying it's not important, that they just need a physical representation of the memory that they can then amplify into a greater being. He asks the audience to begin a low hum, like distant machinery. Lower. Even lower! An eerie sound fills the auditorium as he goes back to Tabitha and tears her written thought into tiny scraps of confetti, locking eye contact with her the entire time.

"Hold out your finger." She does, and still not looking, the magician balances the pieces precariously on the pad of her outstretched index finger. Telling her to cup her hands so that the scraps are in total darkness, he looks back at the audience. "Okay, now, slowly - slowly! - start to increase volume, all of you together. Get louder and louder, but take your time."

The hum starts to increase in power and volume.

The magician tells Tabitha to look inside at her finger. He says that the chanting is typical practice during certain forms of meditation, to help clear the mind. He tells her to listen to the humming subconsciously, while using her conscious mind to envision that the stage is that place from her memory, that she is there right now.

"And as you see it... see the berry bushes near your house... can you see it? The thoughtform is appearing! Look in your hands!"

A strong white glow radiates from her cupped hands, from her finger. "Your house number... there was a 2 in it, yes?" The hum gets louder and louder as Tabitha nods, smiling now.

"Watch it getting brighter and brighter, and picture this entire stage as nothing more than your arena, your memory... something you can't explain, but you just
know..."

The glow magnifies, and then suddenly, a jolt, and Tabitha and the magician both recoil, the scraps of paper flying from her hands, and the lights flicker. There are gasps and a break in the humming, as the magician tells her, "Quickly, quickly! Keep thinking!... your back yard, your first home in Connecticut! And were you once involved in an accident with water when you were younger? Yes? Why did that come to mind?"

After the applause dies down, the magician points out, by the leg of Tabitha's chair - a strange sculpture, a tiny trinket of some degree. An oddly shaped, oddly designed object of unknown function. It seems to have simply appeared. It is warm to the touch. He gives it to Tabitha as he escorts her back to her seat, her thoughtform taken shape, her strange memory now trapped in an even stranger device, forever.
 
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