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trey tayloe
Orlando, FlI'm mostly a card magician, but I dabble in mentalism and a fair amount of just skill tricks (ex. Light Speed by Rick Lax). Wednesday and Saturday nights I do table magic at a couple different restaurants, and Sundays I entertain the residents of Orlando Lutheran Towers, which is a retirement community. Old people are so gullible, it's so great.
Most of my Wire effects get rejected so they go on YouTube. Check me out. https://www.youtube.com/playlist?list=PLLbgl2-ouZFabBCT2dEvbIyhFyZTEsC68
How did you first get started in magic?
David Blaine's whole set of street magic videos really blew me away. So I was toying with the fact of really pouring myself into magic when my father and I went to dinner one night in Orlando, FL and Michael Eaton happened to be walking around doing coin magic at tables at the restaurant we were at. That really sealed the deal for me - I wanted to be just like him. Mike, if you read this, you're the reason I'm here right now. Thanks.
Which artists have inspired you the most in your work thus far?
Andrei Jikh, David Blaine, definitely Michael Eaton. I've tried to emulate the styles of these people to the best of my ability because I think they're the baddest guys on the block.
What is your creative process - how do you come up with new effects and ideas?
My mom actually helps me a lot. I'll show her something I've been working on, and she'll comment on what I need to work on, or something that would make the trick cooler. A lot of times I'll just sit and think, "What would be a really cool and successful trick?" and when I have a rough idea for something I think would be rad I just kind of mull over how it would be possible and go from there.
How often do you practice - how do you keep your skills (and mind) sharp?
I constantly have cards on me. I have a calendar in my room that I mark days off with a sharpie, and I put a little dot on the day if I didn't have cards with me that day. I haven't made a dot in almost three years. I've found in my opinion the hardest part of being a successful street magician is the approach, and you can cut that out by sitting down and just busting out the most hardcore cardistry you've got. The people will come to you. So I practice any time I can, and everywhere I am. I've met a ton of really awesome people that way, too.