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I didn't mean like pointing straight out, lik pointing at the spectator =P I mean in a natural position throughout the pass.

Thats very true, the pass can spotted a mile away then, from the magician. If you cover the motion with other natural motions, such as a riffle, or a dribble, it flies right by a layman. Why would you give up stability for something that is invisible to a spectator?

I see a lot of placing saying different things about this, a lot of mroe recent ones saying to keep the finger curled under. What do you do and why do you do it? Is it habit or does it serve a specific purpose? Personally, I leave it extended. It gives me more control and balance over the...

Try Weapons of the crad shark 1 and 2 by jeff wessmiller.

If you want to make your own you can go to http://www.bicyclepersonalizedcards.com

I know how to do the pass, and things such as the turnover pass, riffle pass, dribble pass, etc. But I can do them moderately. What works do you recommend I read/watch to further my pass? I feel like there's something in my technique I'm missing.

I was so close to the cents, I had them, went to the last stage, and my mom's card was not on file. that screwed me. I was ordering 6 =( BUTTT, I got 3 decks of wynns, so Im pretty stoked for those =]

They'll probably sell out too fast. Even faster now that someone started a thread about it.

Ok, I can do some pretty good looking changes, I'll take a video and email it by tomorrow =]

What ind of effects are you looking for?? Like color changes, or ones with patter, or ones that music can be put to?