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That would be the Long Distance Spinner, and Oz Pearlman teaches it in a download which is available here, at Penguin Magic.

I would so put this in my signature if it wasn't so big. Truest thing that will probably ever come out of this thread. It bugs me that people stereotype "cool". They think "cool" is a certain type of person. Don't conform to the ways of everybody else just cause you want to fit in and be "cool".

Thanks, I'll probably do that then.

Haha, of course. And I have a lot of it, it's just that after a year of one genre of magic, it's nice to move on to something different for a while :)

I know, what you mean, you just lose your enthusiasm after a while. That's why it's good to have some variety.

yea, that's the idea :D. Hope you find something you like soon:)

I'm just saying that you should finish what you were working on (if you were working on anything) before moving on to some other area in magic. So if you were practicing the backpalm in coin magic, finish that before you move to mentalism (for instance). Don't just drop it. Sorry for not...

I have a feeling your like me, you get tired of something after a while. I find the best solution is to just add variety. Work on cards, then work on coins, ect. Just make sure to finish what you were working on before you move to something else. Then, when you go back to (coin magic in this...

I see what you mean, but learning the muscle pass first is fine. Just work on the basics also. There really is no point were the muscle pass fits in (at least I don't think), so you could just work on it while working on some of the basics. I think it is important to learn a good classic...

Good, what've you been up to?

Saw that while ago at D&D's forums. Simply amazing, and very inspirational. Shows that we shouldn't complain about how we have small hands and such things.

Ummm, this topic has been discussed half to death before. Please use the search function next time. And do yourself a favor and just get the guts to go up and talk to her like everyone else. Not meant to be offensive, just trying to help you.:D Ciao

Watched it. Good luck!

Thanks! (word count)

Yea, I agree with this guy a hundred percent. Don't not get into flourishing just because some flourishers are jerks. It's like deciding not to perform magic because some magicians are jerks. There is no difference between the two. As said by jrobarts05, just... do.

Clipshift with only two cards. The clipshift is taught on Chad Nelson's DVD Surfaced and can be found at Dan and Dave.com. As for the OP. That was great. The Cardini was sick, and I love the snap change at the end. Cool addition. Really awesome!

So on the "Coin Vanish", do you have to use a Morgan? Or can you use a half-dollar size coin? How bout' the rest of the stuff on the DVD? I don't really care using my Morgan for performance because it just feels so dang big, but If I had to, I would. Would I need to buy more Morgans? (I...

I thought they were the same? I was under the impression that the Buck twins taught Jay's version in the Trilogy. Didn't think they had they're own version.

That was great. The Cardini was dope! It was very different from a normal Cardini. The back to front palm was killing me. Crazy good. I loved the the vanishes and productions using Tenkai at the beginning. Where can something like that be learned? Very very good. You have some...

Thanks, guys, I think I'll get it.