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Depends on how you want to achieve it. Add a no / switching pads on stage if you want to use a phone book. Wordo is a classic method aswell.

Psychological forces are great. The easiest one in my opinion is the one that goes like; I want you to imagine you are looking out your window, name the first two things you see.

It would be too powerful and inturn to complext for the audience to follow along with. You could do the same effect with a 3-4 digit number and not loose any of the effect. As it has been echoed in many of your posts with the right presentation this effect would be a killer. However with none it...

Not a bad testimonial at all good work.

More often than not I will have a deck on me and that us usually because I asked to perform at parties and I know I can do a 30 -45 minute standup act with them. Now days even though they are on me I usually will perform something that does not require them to be used, but I know if need be I...

Which Spelmann one are you talking about one on his DVD is amazing the other one makes no sense at all.

I usually have 6 - 9 effects in constant rotation when I am doing close up and then I have three standard stage shows. The effects that will never leave are some form of Q&A and psychometry also hypnosis and metal bending if the mood strikes. PK Touches gets a lot of play in impromptu...

Bayme all six? You are doing the first three aswell that it awesome.

I know that Looch has had one specially myade you should ask him about it.

Welcome back old friend.

Very. (Theory 11 really should get rid word count limits on something this stupid.)

Almost all gutsy moves look better when done slowly. Basically you are doing nothing anyway you do not need to do most sleights just casual and smooth. Rather than fast and unnatural.

For pure nail writers Sam Dalah's is the best Lincoln's Best Boon is te best boon and the Verent thumb tip writers are not bad either. It really comes down yo personal peference though.

I have subscribed to this belief in almost all of my work. In my current close I call back to two billet switches I did about an hour before nobody remembers anything about the effect however they remember the climax.

It is good to see you have finally finshed the Artful Mentalism, however you will keep going back to it. This acctually reminds me of one of my first paid pure mentalism gigs. After the show I was having a few drinks with the people that hired me and started speaking to a young lady. I spent the...

The Alchemical Tools? Are you serious? Begining mentalism and you get suggested that I honestly don't believe there are more than five - ten mentalists on this forum who can effectivly use this book. Truth be told I don't think I can effectivly use this book. I am not going to give you a list of...

Firstly I would like to appologise in advance because this will sound harsh. Assuming she is a very lovely girl there is only going two types of attention that you will get from this video. Firstly it was a nice gesture and secondly that you are talented / clever. All you really did was a few...

In practical physics it is an accepted fact that the shortest distance between two points is a straight line. Why should this be any different in Magic? The accepted reasoning why this occurs is that it has too, whilst this is true because we are not doing it for real. However I believe that the...

The point I was trying to make about the handling of your effect is essentially what Prae is saying. You have over handled the effect to the point where too much tension has been created. You have to control 4 Aces as a block in the first part of your effect yet you used a push through shuffle...

Robert what Erdanse said is very true however in your context it could not be further from the truth. Both of your phases are suppose to display complete control over the cards and heightened dexterity. So the real question is if you are displaying the effects as skill rather than 'magic' who...