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Mikk what did you go into if I was you I would have just asked the audience as a whole who was thinking of a house whilst raising my hand. Revealed the house then got the spectator on stage to draw something else with the audience not sending mixed messages. Or just draw the cigarette after...

I use to go through penguin but now their shipping has increased quite a lot so I will be looking else where.

I believe there is a difference between misdirection and directing attention elsewhere. If we take a classic example of asking a question when doing the pass. You are basically taking all eyes off the frame that is your hands and the cards. However on the other hand something like card to mouth...

Your left hand should be a solid unit. The only motion you should see with your left hand is a slight rotation at the thumb.

I only really use the classic pass. I have used other ones in the past but a good classic pass is hard to beat.

There is a nice one on Greg Wilsons card stunts DVD.

Clipboards are a funny thing. I have not experience with that one however you get what you pay for and i would recommend the Brown Hornet. Other alternitives are Luca Volpe's connection board that can be found on his DVD download in your mind. The whole set is very good, but you want...

I knw what you mean Luis my show s 5-6 effects in the first half and 3-4 in the second and it is a two hour piece. As for the Q&A look at the last 20-30 minutes of Derrens Evening of Wonders and that is on of the best Q&As around. (Mine is better not really but I wish).

It's good to see Luis you have a flow to your effects, the only critism I would have is there is too much going on (when written it may be different when performed). My show is divided into two halts with the first being a demonstration of applied knowledge and the second being more a...

I see so many magicians and mentalists too who do not know how structure a set. No matter how long or short the performance is, think of and set you do as a story. It needs to have highs and lows however as a whole it needs to grow. There are many other factors that help make an effective...

Hey Mikk is that Alchemical Tools? I think you have asked something similar of me in the past. My answer has changed recently. As I have started to focus on two of the more real aspects of mentalism in hypnosis and readings. These have not much in terms of method however these are so...

I will give it a read Jden. David.John.Rhodes@gmail.com

AsherF has it right.

Luis if you seem like a smart guy and obviously take your craft very seriously. If you want to learn mentalism you are more than welcome to PM me and I will point you in the right direction.

I am with Chicken on this one. If you use the phone force as a kicker like in Paul Vigil's SFTDC then it is fine. But if you are trying to force a phone number why would you not use a phone book.

Add a no pad wordo principle.

Alchemical Tools is amazing for developing rapport and advanced psychology of magic.

I can imagine what the effect would look like I have not really done anything with the effect as of yes except reworked the script. I also took the idea from Bob Cassidy of using two spectators for two thought of cards.

The only people who could possible give SR a bad review are 14 yearolds who have no idea how to present mentalism. Or people with no audience control or rapport.

Public Enemy let's not talk about SR it is an effect that is too powerful to be mentioned.