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lol! That's freakin' awesome. Also, I don't believe the ECT lift actually has a name.

Not a problem :)

I think I see what you mean. In simple terms, I think that although we're more or less saying similar things, you're just using the word puzzle. I took issue with the use of that word, as I still don't think it's an accurate word to describe things, but I do understand what you're getting at...

Dan and Dave Gregory Wilson Joshua Jay Chris Mayhew A lot of T&R routines Actually, there are a considerable number that come to mind, visualartist. Those are just to name a few.

Man D, it's always fun watching your winter change. You do full on spirit fingers, it's hilarious. The Winter Change is taught in a LOT of sources. It's by John Cornelius. Hot Shot Colour Changes - Ben Salinas Color Changes - Jay Noblezada The Award-Winning Magic of John Cornelius - Lance...

Yeah, that's one thing, that's right. I was making two subtle points there - 1. Just be aware that you'll be using it as a practice surface. Unless you're planning to do a televised show where you're sitting at a table, or some sort of similar gig where you will get half an hour with a table...

On noise: Light grip! On grip: I personally use thumb and first finger for both cards. Whatever makes you comfortable, really. On cover: Tilting the deck 45 degrees inwards covers the move nicely for me. Accompany it with a gentle rocking motion of the hands, and then immediately spread them...

No worries James. By the way, I edited and added some stuff to the above post with another list you might be interested in. If you have any questions don't hesitate to ask. I currently close my performances with the first effect in 13 Steps. :)

Yeah, absolutely James. The best mentalism books to start off with include: Bob Cassidy's Fundamentals - Teaches you how to be a mentalist, rather than just tricks. It's like having someone who knows tricks - but you know they're not really magicians, just because they can do the 21 Card...

You probably don't need the regular book either. I was actually thinking of Phil, D. But hey. I'm not about to dabble in mediocrity either way. :P

But this is exactly my point! Magic should NEVER have a solution! The strength of magic depends on the fact that it appears impossible. It is meaningful because the participant questions what they know to be real - an emotional response. To repeat, good magic should NEVER have a solution, and...

Magic Makers just rip things off so I wouldn't be surprised.

Absolutely, I use time misdirection. Actually, there are lots of ways to use it. Of course, on the most basic level, people forget about things, and that helps to misdirect away from something you've done. But there are ways to take it a step further - one of my favourite techniques is to then...

That's one of the more interesting spellings of "rude" I've seen...

That's awesome! Loved it.

Some people will definitely say, force it every time, because, just in case! I certainly see where they're coming from, but it's a bit overkill for me personally.

On originality - Alright, I'll take your word for it. On Naked - I meant, you don't seem to be able to perform your own effect. Still a lot of hesitation, no fluidity. A production should look exactly like that - a magical production. Naked looks like you've just cleverly hidden something that...

It needs a LOT more practice to look fluid, the entire Clipshift motion isn't looking too great at the moment, and you don't look confident executing the move yet (it's a tell when your other hand occasionally moves towards the deck as if to catch a card, but stops halfway). However, it's a nice...

It is certainly possible to perform with bling on. It probably does hinder a few every now and again, and it means you have to be careful - but it also means you'll be more economical and precise in a lot of your sleights, which is a good thing. Also, once your sleights are down, then you can...

Haha! See sig, btw :P