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Happy Birthday.

1.I have no head but many faces, no veins but many hearts, and when cut I do not bleed. What am I?(cards) 2.People ask to see me but not by name. I have two hands but no arms. And coins love hiding under me. What am I?(watch) 3.Only you can see it, only you can feel it, but everyone has...

I also learned it as the riffle force. I first learned about it in Dan & Dave's 'Commercial' found here as a 1-on-1.

I was looking over the coin concealments chapter in Bobo's and remembered the edge palm. Does anyone know any routine where this palm is used other than Down's Eureka Pass?

This is my first SNC so go easy on me.:) http://www.youtube.com/watch?v=e-l8uOxrbS0

After I saw this I immediately got up and tried to juggle cards. It is WAY harder than it looks.

The linking paper clips. It is really easy to teach and kids love it.

so am I.(word count)

It's a paradox.;)

1)After working with him, do you think people give Criss Angel enough credit? 2)When creating effects what qualities do you try to achieve(I.e. Simplicity, visual ect.)? 3)Who's your biggest insperation?

The angles are actually really good. You are watching the change happen from your spectators point of view so you can easily compensate. As long as they're not stand too much to the left or right you're in the clear.

Thanks for the feedback. I'm going to go with dangerous and maybe everything else if I have enough money.

I've been thinking about taking my card magic to the "next level" and I've been thinking about getting either dangerous or the trilogy. So my question is, what effects/flourishes do you find get the best reactions and are the most practical. I don't mind it being difficult, I'm actually hoping...

I was recently doing a simple coins across routine for my 8 year old cousin when the coolest thing happened... I was about to finish the routine with the audible clink of the last coin traveling from my right hand to my left when in the kitchen someone dropped a spoon into a drawer hitting...

alvo stockman has a free PDF ebook on penguin on how to script out your show. It's free so it doesn't have a lot of material but I found it pretty helpful.

.44 from symphony usually goes over pretty well.

I agree. It is much easier to learn the holds and sleights first, and then move onto the tricks. You will find it much more difficult to start with the tricks and then go back and try to learn the slights.

Your right. I checked out the demo. Oh well, at least I'm thinking on the same level.

My local magic shop got me started into coin magic. I walked in for the first time with my friend and was amazed by all the merchandise. The guy that owned the shop showed me a trick with scotch and soda and I was immediately hooked. I guess I perform coins mostly because it always brings me...

I had an idea for an ambitious coin routine. Like where you place a copper coin under a stack of silver coins and it comes to the top. So my question is, has anybody ever seen this been done before, or is it something I should pursue?