What is the point of your magic? Is it to entertain others, feel a sense of self-fulfillment, or do you try to send a message with your magic? If you are trying to teach your spectators something, what is it?
How do you practice new material?
More specifically, what is the process you go through from when you first learn a trick to when it goes into your show or repertoire?
When, how, and why do you drop tricks from your show or repertoire?
How many hours a day do you all practice and what is a good starting point for getting into cardistry? As far as I no I'm the only one in Mesquite Nv who does it!
To All: What do you feel is the best or strongest way to connect effects in a routine (i.e. creating a routine with a logical flow, a routine paired with a good storyline, a routine using the same items, etc)?
Marco Tempest - Do you think the future of magic will be increasingly involved in technology and how do you think the public deal with it, is more amazed with what technology makes possible or with magical effect?
Calen Morelli - For when a new dvd? And you invent something new with IT or Loops? I love the thing with the hood strings.
Zach Mueller - For when the blue fontaine?
For Everyone - What was the last trick that fooled you? And what the last show that amazed you?
For all - What is the most fascinating effect you've seen in person, watched online, or heard about through word of mouth, but have not discovered a usable method for?
Examples are Lu Chen's ACAAN, or Daniel Madison's Change.
Hey guys, just wanted to know... have you ever tried for yourself to see if you really have powers? I mean we are magicians and inside of every one of us we know what we do are just tricks, but look around you if all this is possible why is so impossible the fact of real magic existing.