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are you going to do the work i suggested

Calen: With your project how is the stress of creating something new for each and every day? I know you are passionate about your magic do you ever feel that get some form of 'writers block'? In a similar vein do you feel that a new idea every day leaves many of your ideas a little rough and...

What They Say Using his original effect Auspicious Coincidence as a jumping off point (Mendacity, 2005), Redford has taken his Any Card at Any Number to a whole new level. Someone names (really) any card, another (really) any number. The performer asks if it would be impressive if that card...

There is not gimmick just a small set up. In the lecture notes Two there is a similar effect that uses something else to make it more convincing however in actual real world situations you dont need it.

Watch This. This is an excellent demonstration as to what patter should be. I could tell you sentence by sentence why however for you to progress with it I would like you to list at least 10 things as to why the presentation works. Realistically I would like to see 20 when you are down I will...

Disposable Colour will work in that context however not 100%

You won't be disappointed there is a lot of good thinking in there. There are is a bit of Stooge work but there are a solid 10 - 20 effects that are perfect for all situations.

This is why you should pay a contract lawyer often to change your contract whenever you think of something like this.

Prism is the complete reprint of the Colour Series. Out of interest where did you find the red book of mentalism?

Aaron Fisher has an effect in the Paper Engine similar to the Shoot Effect but it is much much better routined.

Max Maven's Disposable Colour, orginally published in the Red Book of Mentalism (also Prism which is the whole Colour Series.) Max also talks about it in his DVD nothing. Banachek published it in PS1 the original however in the reprint he has a write up from Max which explains it much better...

The trick is only a small part of the performance. I believe you can use the method if you figured it out by one look through however, you should really make your own performance. I would not however go hunting to figure out the method.

I agree the "That would be one way to do it."

I will pass on some advice from the mind of Max Maven on the Nothing DVD. Whenever I go and see a performer, it could be anything a singer comedian or magician, I ask myself three questions. The first is who is this person? What story are they trying to tell me? and was it worth my time...

A quick glance is not really enough to figure the correct key, especially in the glass. If you want to talk mentalism I will happily discuss all the details.

I understand the method however the reason I suggested that you do not seem to understand the presentation. Keys are mix implies that nobody knows which key will open the lock (you included). They take the keys out of the glass (do you have a chance to examine all the keys after they are...

For your bank night / 7 keys variation how exactly are you "Psychologically influencing the choice of the key? I am assuming that they are the ones whom mix the keys, also they are choosing the keys are you intently staring at them to ensure which even one they take? I understand the option to...

You are looking at this the wrong way in my opinion. Who cares what knots they tie, all you need to go is use the same methods you always have. Stealing slack or ties like the Keller rope tie that create an amount of slack by design. Remember your are the performer, you should be in control...