Search results

the open travellers presentation was much better and believable, though.

The tricks they produce on the 1on1 sections for the most part are not exciting and new. Some of the tricks are, some of them arnt. just depends really. ITs not whats exciting and new, its whats going to sell. Theory11 is a business, not a studio.

you cant be a beginner, you actually know that youtubing it up for tutorials is wrong. wow, there just might be a change in magic after all. just maybe...

popchris is that a magic wand in your pocket or are you just happy to see me?

yeah if you really really really really really like the muscle pass, get shoots material. He has soo many applications for it.

personal safe is in DG one, while quarters is in three. Get and expanded, unless you want to shave your halfs down to size. the best Jay For you to get right now is in the beginning their were coins. But id read bobo if i were you. perfect foundation for coin magic. Start with that and then...

Start with bobos book, get a half dollar shell. Study bobo throughly. Yes stars of magic has a few coin routines, but if thats all your looking for in that book, dont get it. The book is amazing, and has many other routines besides coin routines. start with bobo.

with either of the aaron fisher products, you get a lot more for your money, and the nowhere pass is a much better technique to learn than WH's version. I guess it will be up to him.

yay someone stayed on topic! and completely agreed, geraint.

thats aaron fisher silly. If you want the nowhere pass, buy either search and destroy, or the paper engine. Its way better than wasting your money on that WH bluff pass.

yes well, if that truly is the case, your probably performing for teenagers. Cause thats when i have the most problems too. But like i said, just work on audience management and youll soon be finding yourself in much much much better performing situations. But if your in those situations too...

Just start slow with only a few, simple techniques, practice, and make sure your hands are doing the right things. If you do that, youll be alright.

Well there are a few different ways you can handle this: 1. Just say no. 2. Better Audience management. 3. Having the cards shuffled/handled throughout the performance. Lets Handle number one first: Just saying no, to me, rarely looks good in the eyes of the spectator. Basically...

well then man it seems like youd be set! youve got some epic material to go through, and arrcos just might be the best cards in existence but you can try some Studs from walgreens, at 1.99, they are PERFECT for close up work! If you really must need some new material, there are two other...

Well. a single must have that has helped me tremendously and will def help you is the Classic Magic of Larry Jennings. Get it, you just might fall in love... I mean its got everything, from an impromtu card to bottle, to a travellers routine where the aces travel to your pockets, TWICE. Man...

http://unitedcardists.net/uc/portal/pages/cardistry this will get you started by way of flourishing. Magic wise i started with the Amateur Magician's Handbook. This book thought me every base technique, and gave some great advice, too.

check and mate. This is the reason people do it, screw criss angels sexyness, do a good three coin vanish, ladies will be crawling all over you, and you dont even have to be wearing axe!

thank you. word

no you pretty much do the same thing all throughout. there are a FEW exceptions, but over all, they are the same. just think about it man

its a good idea, but a whole lot of people on this forum dont much go for that idea. they think its "lame". There have been other threads liek this and they have been all flamed down.