4 Step Guide On Creating Your OWN Effects!

dcsscd

Elite Member
Sep 1, 2007
15
5
Excellent Post! I've come up with an effect that you can reveal the time thought by a spectator then make a clock with 12 cards and the hour that you thought of e.g. 3 o clock I take out the 3 on the clock, I dunno if you know what I mean, and thats the only card with blue back the other cards are red-backed and the blue card matches with a prediction on the table =D.. with a very smart method. credits: tamariz, daryl

cheers

aris

thats not new, but maybe your method its different
 
Jul 13, 2009
1,372
0
33
For the people who always ask at the live chats, what is your creatvie process to creating new effects.
 
Jul 13, 2009
1,372
0
33
You necro'd the thread for that? There's a search function, were they truly interested...I'm sure they have the ability to use it.

There lies the problem, the only thing people are interested in is magic Dan and Dave and other pop magician idols. Instead of making new threads I thought why the hell not use a necromancy spell and breathe life in these beaten and barried threads. If you are offended by me bringing back intelligence then..................
 
Jan 13, 2008
1,137
0
There lies the problem, the only thing people are interested in is magic Dan and Dave and other pop magician idols. Instead of making new threads I thought why the hell not use a necromancy spell and breathe life in these beaten and barried threads. If you are offended by me bringing back intelligence then..................
Were you to add something constructive, I'd have no problem with you bringing back the thread, regardless of what is contained within it.

And if they're so interested in Dan and Dave and passed over the threads in the first place, having them turn into long lost relics, what makes you think that won't happen again? What have you done to motivate these people you speak of into actually taking the time to read and learn about the information within these threads?

Until you can actually do anything about the lack of motivation, your effort is going to be for naught. At least Steerpike stirs up a big commotion and gets a nice conversation going. Often times intelligent conversations, no less. As it is, right now it just seems like you're trying to do what Steer does, but by putting forth a lot less effort and a lot less thought (Irony? I'm not sure...but, it's at least hypocritical), giving you much poorer results.

Again, it's nice that the thought is there...but the actual method you're taking is far from sound.

I'm reminded of the quote "The road to hell is paved with good intentions."
 

Jv

Jan 11, 2008
1,223
26
Excellent post!

Definitely helped, good tips and really motivated me.

Thanks,

V.
 
Hey guys,

I am a big idea man. I love to come up with these large and small scale illusions that seem impossible to even the magicians I tell them to. Even so, I still create and have the ability to perform these feats of magic and the magicians who see me perform it live always asks me, "How do you come up with these ideas?"

And with all the people always asking, "Well how do I create my own effect?", I decided to make a 4 step guide to creating your OWN illusions therefore having the ability to do something NO ONE eles can accomplish.

Step One- The Idea (Coming up with the idea/concept)- This by far has to be the hardest part of creating your own effect next to figuring out how to actually perform it for most magicians. And for some it comes very easily to them. It really varies form person to person. I think the only real way to come up with an idea is to just LET IT COME TO YOU. DO NOT try to force it. Most usually when you do something you enjoy or when you see a certain object or doing a certain something, it just hits you like a brick to the head. Haha, most of my ideas that I come up with I come up with in the shower. I don't know why, I guess it's just the feeling of being relaxed is just the idea maker for me. Also, do something or look back on something that inspires you like for me, I sometimes listen or play music. I'm a huge rock fanatic and I play guitar alot so that where I also get some of my ideas. So if you do something you enjoy or just relax a bit and take it easy and not think about it too much, then it will come to you...

Another thing that I also do and might be a little easier for the people who can't come up with something completely original right off the bat can also take an old or classic effect, and making it new and original with a new twist, handling, or look to the entire trick. I LOVE taking something like that 2CM that you can change the handling of so much and making it look like a completely new effect. AND REMEMBER, NO IDEA IS A BAD IDEA! When something comes to you, take it and run with it. Oh, and write it down so you dont forget it! I forget to do that all the time and I always forget what I come up with so yeah, be sure to do that :).

Step Two- The Method (How to find and come up with the sleights.)- This is I believe the second hardest next to coming up with the idea. With things like card or coin effects, there are some many sleights and moves to choose from. Of course you will have to do a bit of researching and buying, but if you believe in what you are creating, then it should be well worth it. Now, if there IS NOT some kind of sleight or move that fits into your effect, then MAKE YOUR OWN! I can't tell you how many purely awsome effect are made possible because they were made of original sleights and moves, and it makes it that much more harder for people to figure out and not that obvious to laymen who might know an extensive amount of sleights. Such effects like Sinful. Every move was created by Wayne Houchin himself and came out with one of the best impromptu effects out there.

And another thing I forgot to mention, when coming up with the method, keep it SIMPLE! You DO NOT want a overly complicated method that you might get mixed up with and might get the spectators confused. Keep it simple!

Step Three- Practicing (Organizing your effect.)- Practicing your new effect might sound simple enough, but there IS some work that you have to do so you can perform it effectively during performance. And that's why keeping the method simple is important, because you do not want to get into the effect and forget which step comes next and end up with an embarrassing performance which sucks by the way ;). First, you need some full-proof way that you can remember how to do your effect step by step, every step of the way. What I do is I right down all the steps with the names of the sleights and moves in order of when it comes into use during the effect. If there are angles that you have to deal with, try practicing it in front of a mirror and see what angels are working for you and which ones are not. A video camera works too if you have one. Depending on the effect and who you are, I think the average amount of practice it takes to get down a close-up effect is about maybe 4-5 weeks. That's just me, if it takes longer or shorter than that, that's fine, but practicing your effect or any effect for that matter is one of the most important steps in having a effective and entertaining performance.

Step 4- The Presentation- This is THE most important step in performing the effect. The trick is only as good as how you dress it up to look like. Presentation is the KEY to having a blowout performance. It can make or break your performance. In the end, it's all up to what YOU want it to look like. Mentalism, comedic, creepy, dark, whatever. That's the beauty of magic, you can shift and shape it to look like whatever you want it to look like, but you MUST have some kind of presentation to make your effect that you worked so hard on be as good as you want it to be.

And that's it. It took me quite a while to type it up but I finally got it done. Yes, it's a long process but believe me when I say it is well worth it. And who knows, maybe you will see your effect being sold where on T11 with rave reviews ;). Thanks for reading guys and I hope this helped :)...
hey man i totally agree with you. however, i did a post just like this a couple of months back...forgot its name but i did one...

what i always do is doin something normal, and then try to hide it, if i can come up with a way to hide something, that makes it natural.....concealment is the hardest part....if concealment can be reached, there's a lot of things we can do...i used the balducci for example...

the illusion is??? doing it normal seems like??? the concealment is??? thus you have the effect.....
 
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