Dominatricks by Tyler Wilson
The Official Spam-
The Book-
Busting Chops-
Rub and Tug-
Everybody loves the Rub-a-Dub Vanish... well, most of us. But what would you say if we could do it face up? Welcome to the Rub and Tug... the world's first (I think) face up Rub a Dub Vanish. I can't get it right, and it's difficult because I have small hands, and just like the original, the mechanics are fairly easy; it's all in the timing.
Pitching a Tent Vanish-
If you know the Biddle Trick, and don't like the spectators not being able to see the card before you vanish it, you need to modify it with this! It is a face up Tent Vanish, and it's one of my favorite sleights of all time. If you want to see a video of it, go to the Penguin Theatre and watch my version of the Biddle Trick. It's very natural, and extremely deceptive.
Tyler Insults Tilt's Totally Inexplicable Elegance and Simplicity-
This section is comprised of various Tilts created by Tyler. They are all great, so let's get into them! Oh, and for you newer magicians reading this, the Tilt is where you cleanly and fairly into the pack, and then immediately show it back on top. Sound awesome? It is.
Tuning-
The card is inserted into the deck until about a quarter is sticking out, then pulled back halfway out, and the spectator is allowed to push it in all the way. This is good, but as Tyler explains, you should only use it when the location of the card in the deck is essential to the effect. Great Tilt Variation.
Tokyo-
Used in his effect later in the book entitled "Release the Chocolate Hostage", this is an ok variation of the Tilt, but I can't see myself using it other than "Release the Chocolate Hostage". Half of the deck is held (in one hand) at a 30-45 degree angle to the other. The card is inserted "between" the packets, and seen coming out the open space after the angle of the top packet... if that makes any sense at all. It's good, but only at certain times.
Bored of Ostentatious Tilts Yet?
This is a simply beautiful version of the Tilt, where, as you take the card back from the spectator to put it back into the pack, the audience catches a glimpse of the back of the pack, which has a large break in the middle. You put the card apparently into the gap that they just saw, and miraculously, it's back on the top! I love this, and I can see me using this a lot. Awesome work Tyler!
Hasselhofzinser-
Despite the silly name, this is an absolutely great force, where you spread the cards, have a spectator touch one, you square it up, and turn over the card they touched... the force card. If you get the book, make sure you watch this on the CD. It does it with a different colored card, and it's simply amazing. Great force, even though I'm still getting the hang of it.
Gag Reflex-
We all know the oldest gag in the book... fanning the cards, having a spectator touch one, and as they reach for the deck, one card pops out from under the fan and into their fingers. Well, this uses that very gag, and you still force the card on them. It's ok, but I can't really see myself using it anytime soon. I know a lot of people will like it, but it's just ok for me.
Displayboy-
This is simply a way of displaying an out-jogged selected card from the middle of the pack. It's very elegant, and I'll definitely use this once I get it down. It's very simple, but to get it to look really nice, it takes a bit of work.
Jared Millican (Bravesaint) Performing Displayboy
Routine Examination-
These are the routines, and I'm not going to go indepth on them, because I think I should leave it to you guys that buy the book. But let me tell you, they're all superb. That being said, I'm just going to give the descriptions written in the book. Some are long, some are short, but this is not me writing, I'm just typing it so you guys can see what they're like.
Compost It-
Release the Chocolate Hostage-
Wow... this effect is awesome. I've been practicing it a lot, and I'm finally starting to get the hang of it. The only real hard part is the Tokyo, and it's not too incredibly difficult. Elliottcarver filmed a video of him performing this and sent it to me... it made me want the book even more. This is great.
The Official Spam-
Dominatricks is a magic book that drips with style. It's hard-backed, innovation-stacked and action-packed with 150 pages of material Tyler Wilson counts on night after night to transform deafening laughter into stunned silence. You can build a professional close-up / walk-around act on these routines. Tyler Wilson did. Nothing is left out: you get the full handlings, presentations, jokes and tips reaped from thousands of real world performances.
Here is a scant sampling of material that will soon jump from the pages of Dominatricks, into your repertoire:
Scarred Warp: many have said that this is the only genuine improvement to Roy Walton's Card Warp to date. See what happens when Tyler Wilson asks the intriguing question, "What's happening inside the card tunnel while the folded card is passing through it?" His answer will shock you.
B52 Shooter: your audience will never look at you the same way again. This is hands down the most visual Triumph routine ever created. Within minutes of learning, face up cards will start rapidly shooting out of the mishmashed deck in a flurry of motion ... with one hand.
Coke Inhabit: Coin In Bottle has never been so sweet. The bottle is given away with the coin still sealed inside as a keepsake. Note: There's a big twist to this routine that we're keeping a surprise until you read the book, or get fooled badly seeing it done live by someone who did. It's your choice.
Stick it to the Man: you love the strong mentalism but don't have the receding hairline required to pull it off? Don't fret, with Dominatricks Tyler Wilson tips a fresh new plot guaranteed to elicit just as many gasps as laughs.
Sloppy 30 Seconds: David Acer calls this "Tyler Wilson's brain-busting card transposition" and you'll soon see why. A card in your hand transposes with a card that is placed face up on the floor. Real original thinking!
* Includes 20 professional close-up magic routines and sleights.
* Includes a CD containing a performance video, bonus material and more.
* Foreword by David Acer.
The Book-
Busting Chops-
Rub and Tug-
Everybody loves the Rub-a-Dub Vanish... well, most of us. But what would you say if we could do it face up? Welcome to the Rub and Tug... the world's first (I think) face up Rub a Dub Vanish. I can't get it right, and it's difficult because I have small hands, and just like the original, the mechanics are fairly easy; it's all in the timing.
Pitching a Tent Vanish-
If you know the Biddle Trick, and don't like the spectators not being able to see the card before you vanish it, you need to modify it with this! It is a face up Tent Vanish, and it's one of my favorite sleights of all time. If you want to see a video of it, go to the Penguin Theatre and watch my version of the Biddle Trick. It's very natural, and extremely deceptive.
Tyler Insults Tilt's Totally Inexplicable Elegance and Simplicity-
This section is comprised of various Tilts created by Tyler. They are all great, so let's get into them! Oh, and for you newer magicians reading this, the Tilt is where you cleanly and fairly into the pack, and then immediately show it back on top. Sound awesome? It is.
Tuning-
The card is inserted into the deck until about a quarter is sticking out, then pulled back halfway out, and the spectator is allowed to push it in all the way. This is good, but as Tyler explains, you should only use it when the location of the card in the deck is essential to the effect. Great Tilt Variation.
Tokyo-
Used in his effect later in the book entitled "Release the Chocolate Hostage", this is an ok variation of the Tilt, but I can't see myself using it other than "Release the Chocolate Hostage". Half of the deck is held (in one hand) at a 30-45 degree angle to the other. The card is inserted "between" the packets, and seen coming out the open space after the angle of the top packet... if that makes any sense at all. It's good, but only at certain times.
Bored of Ostentatious Tilts Yet?
This is a simply beautiful version of the Tilt, where, as you take the card back from the spectator to put it back into the pack, the audience catches a glimpse of the back of the pack, which has a large break in the middle. You put the card apparently into the gap that they just saw, and miraculously, it's back on the top! I love this, and I can see me using this a lot. Awesome work Tyler!
Hasselhofzinser-
Despite the silly name, this is an absolutely great force, where you spread the cards, have a spectator touch one, you square it up, and turn over the card they touched... the force card. If you get the book, make sure you watch this on the CD. It does it with a different colored card, and it's simply amazing. Great force, even though I'm still getting the hang of it.
Gag Reflex-
We all know the oldest gag in the book... fanning the cards, having a spectator touch one, and as they reach for the deck, one card pops out from under the fan and into their fingers. Well, this uses that very gag, and you still force the card on them. It's ok, but I can't really see myself using it anytime soon. I know a lot of people will like it, but it's just ok for me.
Displayboy-
This is simply a way of displaying an out-jogged selected card from the middle of the pack. It's very elegant, and I'll definitely use this once I get it down. It's very simple, but to get it to look really nice, it takes a bit of work.
Jared Millican (Bravesaint) Performing Displayboy
Routine Examination-
These are the routines, and I'm not going to go indepth on them, because I think I should leave it to you guys that buy the book. But let me tell you, they're all superb. That being said, I'm just going to give the descriptions written in the book. Some are long, some are short, but this is not me writing, I'm just typing it so you guys can see what they're like.
Compost It-
Veronica selects and signs a card before it's lost in the deck. The magician pulls out a pad of Post-it-Notes, writes "Top" on one of them and asks Veronica to add her initials to it. He explains that since it says "Top" and has her initials, sticking the note to the top card should cause it to become her card. He demonstrates this principle a few times, increasing the impossibility every time. He states that the Post-it-Note controls everything, so the only way to make it stop is to write an "S" in front of "Top", literally making it say "Stop". To cement this fact, the deck starts slowly disappearing right in front of Veronica's eyes until the only card left is her selection. The magician has no choice but to"Stop".
I love this, and I cannot wait to use it once I get my hands on some Post-it-Notes of the right size. It's pretty simple, and I already know all the sleights used. The deck vanishing is "iffy" in my opinion, and not very angle proof, IMO. But I have a feeling anyone who gets this book will love this... as well as everything else in it.
Release the Chocolate Hostage-
Veronica selects a card (Four of Hears) and puts graffiti in the shape of her initials, on the face of it. A random card is shown (Three of Hearts) and the pips are repeatedly plucked off it and thrown into the air. The first pip turns the card into the Two of Hearts and the second removed pip turns it into the Ace of Hears. The incredibly skilled magician proceeds to catch both pips on the signed selection. With the two added pips, the Four of Hearts is now shown to be the Six of Hearts, with Veronica's initials still on it!
Wow... this effect is awesome. I've been practicing it a lot, and I'm finally starting to get the hang of it. The only real hard part is the Tokyo, and it's not too incredibly difficult. Elliottcarver filmed a video of him performing this and sent it to me... it made me want the book even more. This is great.