Allright, lets start with the weakness:
1.-So yeah My love story plot has worked over so far, but that's because I usually perform for guys and gals of my age(18) so, this plot maybe wil work with young people, but if someone older (maybe 30 and more) comes... I dont think my plot will work that well.
2.-(This is not a weakness its a mistake I made) There are a lot of sleights I like, one of them is the card call, so that move was in fact in my routine, but after a few test runs, I discovered that it was going a little akward, I forced the move into the routine just because I liked the move, and its not like that! I have removed it from the routine, and the routine flows better than before.
Note: We should remember that our work, tricks and routines have to be worked thinking in the spectators, we can't incorporate a move we like just because we like it, we need to think a little bit beyond of what would the laymen think,and if the move works fine, then yeaaaa!
3.-The Finale: Althought I created a Topic about this a while back, I just can't get the closer I want! There were some awesome Ideas there, but I still can't find it! So at the end the spectators are like "great but so much hype for this closer?" altough when I have a table nearby I perform Triumph( it usually goes well)
4.-After the routine: Most of the time when I finish, the spectators ask for more, so it becomes an erratic mess of tricks, jaja, That's why I bought Panic, Because I wanted it to become my closer and my excuse to get out"And the deck goes back to the box!, awww I left the box at home..." But I haven't worked a way to do that, Its a little more complicated than that...
5.-The tricks outside the routine.- I have dedicated so much time perfecting the routine and the sleights, that the other tricks or sleights are looking kind of weak when I perform them.
So, Do I use An emotional hook? Definetly yes. Why?
As you (morgician) Accurately quoted Mr. Brown, It's something we should practice a little more, and even outside magic...
Being an Interesting Person is not about talking about ourselves and ALL our glorious triumphs, Its about taking the interest into the person in front of you...
So when I perform, Its not about me, Its about them...
Yep, My routine could be definetly better, there are a lot of flaws, and I Haven't thinked about using another storyline, maybe ill think about something different..
Great thread, keep the posts coming
1.-So yeah My love story plot has worked over so far, but that's because I usually perform for guys and gals of my age(18) so, this plot maybe wil work with young people, but if someone older (maybe 30 and more) comes... I dont think my plot will work that well.
2.-(This is not a weakness its a mistake I made) There are a lot of sleights I like, one of them is the card call, so that move was in fact in my routine, but after a few test runs, I discovered that it was going a little akward, I forced the move into the routine just because I liked the move, and its not like that! I have removed it from the routine, and the routine flows better than before.
Note: We should remember that our work, tricks and routines have to be worked thinking in the spectators, we can't incorporate a move we like just because we like it, we need to think a little bit beyond of what would the laymen think,and if the move works fine, then yeaaaa!
3.-The Finale: Althought I created a Topic about this a while back, I just can't get the closer I want! There were some awesome Ideas there, but I still can't find it! So at the end the spectators are like "great but so much hype for this closer?" altough when I have a table nearby I perform Triumph( it usually goes well)
4.-After the routine: Most of the time when I finish, the spectators ask for more, so it becomes an erratic mess of tricks, jaja, That's why I bought Panic, Because I wanted it to become my closer and my excuse to get out"And the deck goes back to the box!, awww I left the box at home..." But I haven't worked a way to do that, Its a little more complicated than that...
5.-The tricks outside the routine.- I have dedicated so much time perfecting the routine and the sleights, that the other tricks or sleights are looking kind of weak when I perform them.
So, Do I use An emotional hook? Definetly yes. Why?
As you (morgician) Accurately quoted Mr. Brown, It's something we should practice a little more, and even outside magic...
Being an Interesting Person is not about talking about ourselves and ALL our glorious triumphs, Its about taking the interest into the person in front of you...
So when I perform, Its not about me, Its about them...
Yep, My routine could be definetly better, there are a lot of flaws, and I Haven't thinked about using another storyline, maybe ill think about something different..
Great thread, keep the posts coming