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I have a pass that I've just kind of been messing around with, going to research a ton more to make sure it's not already published but I rather enjoy practicing it, and since I use misdirection about as good as anyone it's the easiest for me. The classic has served me well though, it's not...

I just want to spark discussion with the fact that all the conclusions from scientists are based on one mans theory. Sure, he's probably correct, nothing will happen. but what if nothing happens, or a small black hole opens and deteriorates and then they decide a larger scale experiment is...

It should also be continuously reminded that Chris Kenner has put some 20 years into this move...which explains his being able to do it so well... :rolleyes::)

Umm...shuffleroo? :rolleyes: nice effect, though I agree with Sean-the control was very well concealed, but...needs to be done about two hundred more times in a camera to make it smooth as can be. (not that a spectator would ever catch/suspect...) Very nice change, I bet done face down...

I'd take a look at the TED for Keith Barry (link below). Pay attention to one detail, when he says 'If I don't want you to look at my right hand, then I don't look at it. And if I want you to look at it, then I look at it." Follow your gaze, because even though he's explaining what he's...

Just like everyone else has stated, there is no one way. There are two ways in which magicians become famous in their own right, by being able to perform well and by being able to create well. There are a few people who are in the middle, kind of good at both, or really good at both...

Second the motion. I reference the Card College more than most anything for sleights. Erdnase gets a lot of attention also. That is, if you can learn from a book.

Thanks for taking the time to catch up with orders--I was happy to stay up to receive mine. I've played around with the handling and with only a half hour or so messing with it I can tell how nice this can look. Might post a better review when it's not 3:40 am...(: yay for insomnia. I...

agreed lol. Nice control--I saw it when it was still in battle. Very deceptive. I like how you fooled so many magicians...ego slip...c'mon. ;)

J.B.-A life sized balloon animal or a herd of smaller balloon animals (like a whole bunch of balloon dogs taped all over you) Andrei-Disco King, mainly because giant fake afro's are the greatest thing since the classic pass. Good contest-hope the party goes well.

Is this off of the tricks dvd? The link to the media section tutorial is below, they messed it up a little bit on the trilogy. http://media.theory11.com/951-Jones-Change:-Full-Tutorial

Yeah, a little more detail on what you're having trouble on would help, I can do it pretty smooth now (had trouble at first).

Haha. I like it. It's a little different from most effects, and as deck switching has never been a problem for me it wouldn't be all that hard to get into. Question though-how do you go about cutting the wholes, do you keep them neat or kind of poke a hole and push your thumb through so it...

congrats T11, one year down, many more to come hopefully. And the torture king is crazy...O_O But awesome. And yeah, ...that's all.

I second this review, it's worth the price for the tips alone. This is one of the few sleights from Erdnase that I never could conceptualize until I saw it done and the teaching from this 1 on 1 was phenomenal(CK is probably one of the better teachers in magic that I've learned from.) I...

Actually, Criss Angel is the first to say that NOBODY has any sort of magical or mystical powers. http://www.youtube.com/watch?v=GtlpkjGXQeQ <--about 3 minutes in he says something like 'I do things to blur the lines to show that a lot of the thing [speaking about putting hooks into his back...

To quote one of my favorite lines from Mysterious Stranger by David Blaine. "You don't get into magic. Magic gets into you." Somewhere between birth and today I became obsessed with magic. Probably started out as a 'How could he do that' and is now something I get to share with others...

I have used fatal, but not consistently in a routine. The silent switch is pretty bold, but with practice it goes unnoticed very easily. And d+M's trilogy of notes was worth it to me in the sense that they're all slightly different, they all taught me something and they've all helped me...

oh man, I saw this video sometime last year and was pleased to watch it again. So smooth and natural.

I liked the idea, I've no clue if it's original, but I sent you a PM with an idea you might try out for the second part of the trick. -Rik