This is very out of character for me but what the heck, I'm going to throw my hat into the ring. Let me say to being with that I've not managed to read the whole topic but from the looks of things on the last page, nothing much has happened in the last few pages.
There's several fundamental problems with debates like this one right here. One of those problems has to do with definition - without a universally agreed definition of what constitutes an "artist" you're always going to end up going round in circles. Of course this is a big problem, because everyone seems to believe that their own personal definition of "artist" is the most valid, whether its supported by a dictionary definition or by their own experience and self perception.
I would hope to find some support for the notion that art is a subjective experience - put another way art, like beauty, is in the eye of the beholder. Someone, somewhere will see art in ANYTHING - which may explain the proliferation of strange, giant bits of metalwork pervading the urban landscape. Art is in some ways defined by its audience and so is by extension independant of what the "artist" thinks about it at all! If this is true then we have to judge "art" by its impact on ourselves or indeed on others. I am forced into admitting that paint splats on a piece of tree bark is art because enough other people see depth in it; I just see paint splats on tree bark.
Be patient, I have a point.
The simplest of tricks performed by the least "artistic" performers can illicit powerful reactions from a lay audience because of the nature of astonishment. When you're on the recieving end of such reactions its tempting to think "hey, I'm pretty good at this...I know stuff other people don't know...they're going crazy for this..." and when the question comes up "am I an artist?" its easy to justify putting a big fat tick in the yes column. And hey, in the eyes of that uninformed group of spectators, guess what? They ARE an "artist". But consider the equivalent standard in, for example, music - pretty much banging out a scale without hitting any bum notes. The same audience would almost certainly not consider that "art", or the unfortunate music student an "artist".
I don't believe magic can be measured by the same yardstick other performance arts are measured by, as the above example hopefully demonstrates. Possibly this is because magic is still pretty much a little-experienced artform for most people, so they have no basis for comparison. This would lead us to conclude that at this stage in its development, magic's "artists" have to be defined by the students of magic itself, who DO have a basis for comparison. So the question becomes how do magicians define "artistry"? There is of course creativity - coming up with original tricks, new sleights or concepts. Also, and equally valid in my opinion, is the performance of magic - handling an audience, entertaining them, executing tricks well, structuring an act. I would also be inclined to add that the above qualities must be executed CONSISTENTLY - no "one hit wonders".
I consider myself an artist, and here's why. I've performed professionally now for two years and consistently satisfied my audiences, being rebooked by the same companies several times. I create and perform my own material, some of which has recieved positive feedback from other professional, knowledgeable magicians who have themselves had work published, and enthusiastically received by the magic community. I am in the process of organising my first collection of magic which may eventually one day see publication. I take passion and pride in my work. The burden of proof falls of course to myself, but you'll have to wait a while before that materialises!
Cheers,
David.